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Amelia Jones (born July 14, 1961) is an American art historian, art critic and curator specializing in feminist art, body/performance art, video art and Dadaism.
She taught 15 students who formed the Feminist Art Program, which rented and refurbished an off-campus studio at 1275 Maple Avenue in downtown Fresno where they had reading groups, collaborated on art and held discussion groups about their life experiences which then influenced their art.
In the conference and in the book, art historians addressed the innovative work of such figures as Louise Bourgeois, Eva Hesse, Francesca Woodman, Carrie Mae Weems and Mona Hatoum in the light of the legacies of thirty years of feminist art history, appeared in 2006.
In 1972 Edelson used an image of Leonardo Da Vinci’s mural to create Some Living Women Artists / Last Supper. She used collage to add notable women artist's heads of the men in the painting, which quickly became "one of the most iconic images of the Feminist Art movement." John the Baptist's head was covered by Nancy Graves and Christ by Georgia O'Keefe.
Schor has written frequently on issues of gender representation, including “Backlash and Appropriation,” a chapter of The Power of Feminist Art, 1994, an historical overview of the Feminist movement published by Abrams, “Patrilineage”, 2002, republished in The Feminism and Visual Culture Reader edited by Amelia Jones, and on artists such as Ida Applebroog, Mary Kelly, and Ana Mendieta.
Subsequently, she was able to establish the Feminist Art Program at the California Institute of the Arts with Judy Chicago.