NetBIOS Frames protocol | The final two frames of ''Alas Poor Yagan | Destruction of Stocking Frames, etc. Act 1812 | Broken Frames | 30 Frames a Second: The WTO in Seattle 2000 |
The HD ready 1080p logo program, by DIGITALEUROPE, requires that certified TV sets support 1080p 24fps, 1080p 50fps, and 1080p 60fps formats, among other requirements, with fps meaning frames per second.
Most importantly, the card was originally claimed to achieve over 200 frames per second in id Software's Quake III Arena at maximum visual quality.
The DOS port featured Roland MT-32, AdLib and beeper music and sound effects and ran at 15 FPS.
Consider that a single frame in a DI project is currently from 9MB to 48MB large (depending upon resolution and colour-depth), whereas video refresh rate is commonly 24 or 25 frames per second (if not faster); any storage required for real-time playing such contents thus needs a minimum overall throughput of 220MB/s to 1.2GB/s, respectively.
Peter Jackson's The Hobbit film series, beginning with The Hobbit: An Unexpected Journey in December 2012, used a shooting and projection frame rate of 48 frames per second, becoming the first feature film with a wide release to do so.
London's Trafalgar Square is a 1890 British silent black-and-white short film, shot by inventors and film pioneers Wordsworth Donisthorpe and William Carr Crofts at approximately 10 frames per second with an oval or circular frame on celuloid film using their 'kinesigraph' camera, showing traffic at Trafalgar Square in London.
According to a test of Tom's Hardware of January 21, 1998, it could perform roughly a third of the performance of a NVidia RIVA 128 or 40% less than an ATI Rage Pro in terms of frames per second in Direct3D benchmarks and simply couldn't play Quake due its lack of OpenGL support.
In telecine use, the 24 frames per second is slowed to 23.976 frames/s to lock to SDTV and some HDTV standards, thus the digital bi-phase pulse is 239.76 Hz.
Professional driver Tanner Foust drove laps around the track at speeds up to 120mph with the camera pointed at the mounted stills while Zwart shot footage at 30 frames per second.