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Andrea Centazzo (born 1948 in Udine) is an Italian-born American percussionist and composer of minimal music.
One of the least internationally known of British minimalist composers, Poppy was a founding member (in 1981) of The Lost Jockey, a large ensemble dedicated to the performance of new works by British composers composed in the style of such composers as Philip Glass, Steve Reich, and Louis Andriessen.
Goode's works show influence from several sources, including bird song, Cape Breton fiddling, drone, Indonesian gamelan music, and minimal music (specifically music as a gradual process).
The critically acclaimed soundtrack for La Ligne droite was composed and conducted by Patrick Doyle, much in the minimalist style of composer Philip Glass.
Born in Naples, Cilio recorded and released an album of minimalist music, Dialoghi del presente, in 1977.
In addition, he released assorted music created by British rock music groups Joy Division, New Order and The Smiths; minimalist musician Steve Reich; jazzists Bill Evans, Keith Jarrett Pat Metheny and Art Pepper, and Cuban music compilations of Bola de Nieve and Benny Moré.
The World\Folk Fusion assignment means an open attitude towards all music of the world, together with the mediterranean essence, enveloped with other sounds, such as Brazilian Popular Music, African Music, Minimal, Reggae, Progressive Folk, Celtic Music, American Folk and Jazz fusion.
The short play imitates composer Philip Glass's minimalist style; that is to say that comparatively few words and ideas are repeated many times throughout the work.
The recent recording Nyman Brass containing arrangements of compositions by the British minimalist composer Michael Nyman.
With the growing popularity of minimalist music in the 1960s and 1970s, which often broke sharply with prevailing musical aesthetics of serialism and aleatoric music, many composers, building on the work of such minimalists as Terry Riley, Philip Glass and Steve Reich, began to work with more traditional notions of simple melody and harmony in a radically simplified framework.
In his plays are noted influences from noisy music, minimalist music and Eastern music, especially by the use of Tibetan chants and modes of Noh theater.