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As a non-narrative portrait of the bustling metropolis, the documentary is a modern-day take on the City Symphonies that flourished in early 20th Century cinema with films such as Man with a Movie Camera.
Retrospectives like those on the works by Maya Deren (2003), Shirley Clarke (2004), or Ed Emshwiller give the Greek audience an opportunity to contact the first attempts of the experimental non-narrative cinema to use the movement as its main source.