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Using a Moog synthesizer, via an early example of sampling in fiction, one of the crew who possesses perfect pitch learns the Cygnan musical language, and is educated by Cygnan didactic films.
Frank Rich, in The New York Times, called Rudnick, “a born show-biz wit with perfect pitch for priceless one-liners” and Stephen Holden, also in the Times, said that Jeffrey was, “Just the sort of play Oscar Wilde might have written had he lived in 1990s Manhattan.”