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Set during the Taishō period, it uses Nikkatsu's superior technical resources to create what Jasper Sharp calls a pink film-style "sumptuous festival of cruelty" portraying the artistic life of the photographer, writer and kinbakushi, Seiu Itō.
Takashi wanted a traditional Japanese pink film, which integrated storyline and softcore sex, where Cheang aimed towards genre-defining American pornographic films along the lines of Behind the Green Door (1972), with hardcore sex throughout.
After 42 years of exile from the Japanese film world pink film pioneer Satoru Kobayashi and cult film director Teruo Ishii persuaded her to appear in Ishii's 1999 remake of Nobuo Nakagawa's Jigoku (1960).
The Muzan-e has influenced many modern day art formats and ero guro can be found in manga with the works of Suehiro Maruo, Shintaro Kago or Toshio Maeda; in many live action films such as the pink film movement and most of the works of director Takashi Miike and even non-Japanese artists such as Trevor Brown.
After his return to Japan, he made an appearance in director Hisayasu Satō's pink film Promiscuous Wife: Disgraceful Torture (1992), which made him into a cult celebrity.
He has directed several pinku eiga erotic films, but his most notable feature was the 1995 nihilistic crime thriller Gonin starring Takeshi Kitano.
It was the first project from Lords' own Traci Lords Company and filmed in Tokyo, featuring renowned pink film and AV director Tadashi Yoyogi as co-director.
In the years after Flesh Markets release, several independent studios began specializing in the new pink film genre that had sprung up in the wake of that film's success.
Emi Tojo (born 1976), Japanese former pro wrestler and pink film actress