Examples include II7 (V7/V) in Bob Dylan's "Don't Think Twice, It's All Right" and III7 (V7/vi) in Betty Everett's "The Shoop Shoop Song (It's in His Kiss)".
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The progression uses a series of sequential II-V or secondary II-V progressions, and has been used in pieces such as Parker's "Blues for Alice" and Toots Thielemans's "Bluesette".