Tommy Tune | Auto-Tune | Name That Tune | Tune, Norway | Tune | Time signature | signature | Ninja Tune | digital signature | Tune in Tomorrow | tune | time signature | the 1998 club's two signature moments | Signature Sounds Recordings | Signature | Digital Signature Algorithm | Digital signature | Turn On, Tune In, Drop Out | Turn on, tune in, drop out | State Street Bank v. Signature Financial Group | Signature Team | Signature (dance group) | Signature Books | Our Tune | Nokia tune | Metric signature | Lamport signature | Granahan's signature, as used on American currency | File signature | Digital Signature |
Troldspejlet has been shown on Danish television channel DR1 since 1989, and uses the Gremlins 2 End Credits theme from the American horror-comedy film Gremlins 2 as signature tune.
The band leader, Billy Cotton, was a larger-than-life Cockney character who started each show with the cry “Wakey-Wake-aaaay!”, followed by the band’s signature tune “Somebody Stole My Gal” (which was also featured in the video game Pop'n Music 9).
His signature tune was Clap Hands, Here Comes Charlie, and his closing theme was Pink Elephants.
In 1990 he released his debut, Smooth Assassin, which spawned his one and only hit "Something New" (which sampled James & Bobby Purify's only hit—their signature tune "I'm Your Puppet)."
Even though most of his works are no longer performed, Mouret's name survives today thanks to the popularity of the Fanfare-Rondeau from his first Suite de symphonies, which has been adopted as the signature tune of the PBS program Masterpiece and is a popular musical choice in many modern weddings.
The sax-driven "Let's Stick Together" originally by Wilbert Harrison, is widely regarded as Ferry's signature tune, and a classic dancefloor-filler.
Upon his return to Great Britain, he joined Radio Caroline South (where he used Jack Costanzo's version of the "Naked City Theme" as his signature tune, subsequently working for Radio Luxembourg and Radio London.
The Freischoeffen also provided the subject for Berlioz's unfinished opera Les francs-juges, the overture to which provided the signature tune for 'Face to Face', the well-known early series of British television interviews, conducted by the Rt Hon John Freeman MBE.
From 1986 until the present, Vremya has used the theme song from Time, Forward! as its signature tune and opening sequence.