Jason Salavon is known for the creation of "amalgamations" that average dozens of images to create individual, ethereal "archetype" images.
Museum of Modern Art | Art Deco | Metropolitan Museum of Art | Art Institute of Chicago | software | San Francisco Museum of Modern Art | National Gallery of Art | Honolulu Museum of Art | Whitney Museum of American Art | Los Angeles County Museum of Art | Art Nouveau | Royal College of Art | Walker Art Center | art | Glasgow School of Art | Museum of Contemporary Art | Philadelphia Museum of Art | Smithsonian American Art Museum | Art Students League of New York | Denver Art Museum | Cleveland Museum of Art | Museum of Contemporary Art, Los Angeles | Art Gallery of New South Wales | Art | Installation art | Gothic art | Application software | performance art | Art Garfunkel | Romanesque art |
Particularly involved with software art and internet art, he is a part of the readme culture, and is probably most well known for his ongoing so called "386DX" performances, in which he manipulates an antiquated computer with Microsoft Windows version 3.1 and an Intel 386 processor to perform MIDI (Musical Instrument Digital Interface) renditions of popular music hits while a synthesized text-to-speech voice "sings" the lyrics.
Despite releasing some conventional shareware and desktop applications, Signwave have also received attention and awards from arts organisations such as Transmediale and Ars Electronica for their software artworks.