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Biblis borders in the north on the communities of Groß-Rohrheim and Gernsheim, in the east on the community of Einhausen, in the south on the towns of Bürstadt and Lampertheim and in the west on the district-free city of Worms (Rhineland-Palatinate).
He went to Paris, where he studied at the École des Beaux-Arts and Académie Julian under William-Adolphe Bouguereau.
From 1873-1875, he studied at the National Academy of Design, augmented by private studies with Joseph Oriel Eaton and visits to Holland, Italy, France and England, with classes at the Académie Julian in Paris with Tony Robert-Fleury and William-Adolphe Bouguereau.
Einhausen borders in the north on the community of Groß-Rohrheim and the town of Gernsheim (Groß-Gerau district), in the east on the towns of Bensheim and Lorsch, in the south on the town of Bürstadt and in the west on the community of Biblis.
Groß-Rohrheim borders in the north on the town of Gernsheim (Groß-Gerau district), in the east on the community of Einhausen, in the south on the community of Biblis and in the west on the district-free city of Worms (Rhineland-Palatinate) and the community of Hamm am Rhein (Alzey-Worms district in Rhineland-Palatinate).
It is the only museum in the state with a comprehensive permanent collection, and although it includes works from Paolo Veronese, El Greco, Titian, among others, its greatest strengths are the outstanding art collections of the nineteenth and twentieth centuries of American and European artists such as Pierre-Auguste Renoir and William-Adolphe Bouguereau.
An extension of the S7 from Riedstadt Goddelau to Biblis (and possibly Worms) was previously discussed.
Goddelau-Riedstadt station is served hourly by Regional-Express line RE 70 en route from Mannheim via Biblis and Gernsheim to Frankfurt Central Station.
However, his determination to become an artist saw him move to Europe and study under Charles Verlat in Antwerp and later at the Académie Julian and Jean-Joseph Benjamin-Constant, William-Adolphe Bouguereau and Tony Robert-Fleury in Paris.
However, it has become somewhat controversial, both for its unabashedly academic style, inspired both by Jacques-Louis David and William Bouguereau, and for its highly symbolic content, said to express the cycle of denial and tragedy.