As the song progresses he criticizes modern art claiming he prefers time-honored masters such as William Shakespeare, Rembrandt van Rijn, Titian, Leonardo da Vinci and Thomas Gainsborough ("You keep all your smart modern painters, I'll take Rembrandt, Titian, Da Vinci and Gainsborough").
In 1929, the Gallery bought the Wilton Diptych and Titian's group portrait of The Vendramin Family; these are considered the two major purchases of Daniel's directorship.
Their lyrics range widely as well - the band has written deeply personal lyrics about love, loss and the personal anxieties of modern existence, but has also covered odd topics like Irish Mythology and Venetian Painter Titian, to name a few.
It was also unusually visible during the negotiations between the Duke of Sutherland and the National Galleries of Scotland over the £100 million sale of two Titians on loan to the Galleries, with Terence Fane-Saunders acting as spokesman for the Duke.
She had Titian red hair and excelled in playing roles which required delineation of character.
Dirck Barendsz or Theodor Barendszoon (1534–1592) was a Dutch Renaissance painter from Amsterdam who traveled to Italy in his youth to learn from the Italian masters, most notably Titian.
It belonged to the Correggio and Terzi families, and in the 16th-17th centuries it was restored by countess Barbara Sanseverino, who desired a true palace for her court, and to house her prestigious collection of works by painters such as Raphael, Titian, Mantegna and Correggio.
To decorate the reredos, or altar screens, the king's preferences were Michelangelo or Titian, but both of these giants were already more than eighty years old and in frail health.
To thank God for the birth of the long-awaited son, prisoners were released - as commemorated in Titian's painting, Philip II Offering Don Fernando to Victory.
He met Titian and arranged for the emperor's portrait by the famed Venetian artist.
After initial experiments in the styles of Paul Cézanne and Henri Matisse, Weissbort re-focused his energies towards the study of the "Old Masters", developing an enduring interest in the work of such artists as Johannes Vermeer, Jean-Baptiste-Siméon Chardin, Diego Velázquez, Jean-Baptiste-Camille Corot, Andrea Mantegna and Titian.
In addition to playing music, she collected art, and sponsored philosophers, poets, and painters, such as Titian, Raphael, Giovanni Bellini, and Leonardo da Vinci.
Karel van Mander's Schilder-boeck mentions an Ioan van Calcker (Jan van Calcar), living in Venice as a disciple of Titian in 1536-7.
Li's given name, Tixiang, comes from the Chinese translation of Italian painter Titian (Chinese: 提香).
First published in Idiots First; Fidelman finds himself working as a toilet-scrubber in a whorehouse, at the mercy of Scarpio and Angelo, who convince him to forge Titian's Venus of Urbino in exchange for his freedom.
Two unusual individual genre portraits (probably not actual individuals) of female cooks in Genoa and Brussels, one full-length and the other in the three-quarter length format devised by Titian for royal portraits, show them holding roasting spits with poultry rather as though they were marshall's batons.
At ten years old Bladen began drawing intensively, making copies of works by Titian, Picasso and Matisse.
Titian | Titian's | Titian Peale | Titian's ''Bacchus and Ariadne'' |
Most of these pieces are now in Vienna or Madrid, including Titian's Venus with an Organ-player, Giambologna's copy of the equestrian statue of Marcus Aurelius, tapestries after cartoons by Hieronymus Bosch and a bust of Charles V by Leoni.
The gallery exhibited originals and copies of works by European masters such as Titian, Rembrandt, Watteau, and David, and a few American artists, such as Thomas Sully, Gilbert Stuart, Samuel F.B. Morse, Rembrandt Peale, and William Dunlap.
Drawing on sources such as Roman military art (the statue of Marcus Aurelius on horseback), Renaissance equestrian imagery such as the engravings of Hans Burgkmair, and possibly Dürer's 1513 engraving Knight, Death and the Devil, Titian departs from the traditional rendering of rider on horse, in which one of the horse's front legs is raised (as seen in the gallery of Roman and Renaissance works below).
At the age of 24 he traveled to Europe where he studied the works of the masters, particularly Rembrandt, Titian and Tintoretto, and absorbed the varied influences of cubism, surrealism, informalism, and abstraction.
George Boba, a painter and engraver of the 16th century, known by the name of Maître Georges, was a native of Rheims, and is said by Karel van Mander to have been a disciple of Frans Floris, and by others of Titian.
These held much fine furniture and by the mid-19th century housed one of the best private collections of paintings in Scotland, including works by Peter Paul Rubens (see below), Titian, Anthony van Dyck, and other masters.
On 15 April 1811 he was elected a royal academician (RA), and shortly afterwards produced a still larger enamel (eighteen inches by sixteen), after Titian's Bacchus and Ariadne.
So for example Harold Wethey's three-volume catalogue of the paintings of Titian (Phaidon, 1969–75) is divided between "Religious Paintings", "Portraits", and "Mythological and Historical Paintings", though both volumes I and III cover what is included in the term "History Paintings".
Paintings by Velázquez, Titian, Poussin, and Claude Lorraine, as well as an unrivalled series of 18th-century family portraits by artists such as Gainsborough, Reynolds, Vigee-Lebrun, Batoni, Angelica Kauffman, Ramsay, Van Loo, and Hogarth.
In the Titian Room, Titian's magnificent painting of Europa (1561–1562) hangs above a piece of pale green silk, which had been cut from one of Isabella Stewart Gardner's gowns designed by Charles Frederick Worth.
After his death the Roman statues and Italian paintings by Barocci, Bassano, Bellini, Paris Bordone, Pordenone, Palma Vecchio Giorgione, Lorenzo Lotto, Parmigianino, Guido Reni, Giulio Romano, Tintoretto, Titian, Andrea Schiavone, Perugino, Antonello da Messina and Paolo Veronese were shipped to his brother in Amsterdam.
Schenau copied the works of the old masters such as Antonio da Correggio, Guido Reni and Titian, and acquired the patronage of the Saxon ambassador, General Fontenay.
It is the only museum in the state with a comprehensive permanent collection, and although it includes works from Paolo Veronese, El Greco, Titian, among others, its greatest strengths are the outstanding art collections of the nineteenth and twentieth centuries of American and European artists such as Pierre-Auguste Renoir and William-Adolphe Bouguereau.
Speaking of his artistic inspiration, he said, “I am not conscious of having imitated or been influenced by any one particular painter, but every painting contains the experiences of many previous painters. No artist can paint without being influenced by masters like Raphael, Michelangelo, Titian, and outside Italy by artists like Rembrandt and Renoir.”
Bénédite was the first art historian to explicitly acknowledge the similarities between Manet's Olympia and Titian's Venus of Urbino.
Malchiostro Annunciation is a painting by the Italian Renaissance artist Titian, executed around 1520, and housed in the Cathedral of Treviso, northern Italy.
The first and second floors house the Galleria Nazionale (National Gallery), with paintings from the 13th to the 18th centuries including major works by Simone Martini, Raphael, Titian, Caravaggio, Masaccio, Lorenzo Lotto, Giovanni Bellini, Giorgio Vasari, El Greco, Jacob Philipp Hackert and many others.
His collection of Old Masters, including Veronese, Titian, Claude Lorrain and Rubens, and a fabulous collection of drawings, was broken up and sold after his death, raising the immense sum of £26,000.
Grassou is invited to Ville-d'Avray, where the Vervelle mansion is garishly decorated, and also includes a large collection of Grassou’s work, including the forgery of a Titian.
Portrait of Lavinia Vecellio, or Portrait of a Girl, completed c.1545 by Titian
Some other artists who have portrayed the Supper are Jacopo Bassano, Pontormo, Vittore Carpaccio, Philippe de Champaigne, Albrecht Dürer, Benedetto Gennari, Jacob Jordaens, Marco Marziale, Pedro Orrente, Tintoretto, Titian, Velázquez and Paolo Veronese.
There are also several versions of the theme attributed to Titian, notably the one in the Hermitage Museum.
Francesco Bassano (Madonna in Glory and St John the Baptist preaching in the new sacristy, the latter including portraits of Bassano's family and Titian)
Borghese's collection includes works as diverse as Early Renaissance altarpieces such as Fra Angelico's Last Judgment (ca 1450); examples of northern art such as two paintings of Venus (early 16th century) by Lucas Cranach; sixteenth-century Venetian paintings such as Titian's Sacred and Profane Love (1514); and classicizing pictures such as Domenichino's Diana (1616/7).
The Art Journal became noted for its honest portrayal of the fine arts, but its opposition to fake and mis-attributed Old Masters, such as Raphael or Titian, depressed the market in such works.
Several attempts have been made to identify the main female figure – these have included Titian's lover, Alfonso d'Este's lover Laura Dianti, or Federico Gonzaga's lover Isabella Boschetti.