She produced stage designs: Vsevolod Meyerhold's production of Fernand Crommelynck's The Magnanimous Cuckold, 1922; Her Spatial Force Constructions were used as the basis of her art teaching theory at Vkhutemas.
Their first essay into the world of humanist patronage is to support a precocious composer in completing an unfinished opera by E.T.A. Hoffmann entitled Arthur of Britain, or the Magnanimous Cuckold, and then bringing it to the stage at Stratford, Ontario.