During 1910 he returned to Vienna where among other things he worked for the Österreichisch-Ungarische Kinoindustrie (later Wiener-Kunstfilm) as a cameraman, and was thus cameraman, and also technical director and director of scenery, on the oldest Austrian drama film to survive entire: Der Müller und sein Kind of 1911.
In older times, Österreichisch-Weiß (up to 90%) blended with Traminer contributed to giving "Grinzinger" (wine from Grinzing in Vienna) a good reputation.