Der Müller und sein Kind (II), 1911 (Austria; camera and technical direction)
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During 1910 he returned to Vienna where among other things he worked for the Österreichisch-Ungarische Kinoindustrie (later Wiener-Kunstfilm) as a cameraman, and was thus cameraman, and also technical director and director of scenery, on the oldest Austrian drama film to survive entire: Der Müller und sein Kind of 1911.
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