The film is also known for its use of blackface antics; an aspect carefully dissected in Siobhan Somerville's "Queering the Color Line." Since its inclusion in Vito Russo's The Celluloid Closet, the film has increasingly been seen as one of the earliest film representations of homosexuality and cross-dressing in American culture.
In 1914 the first documented appearance of bisexual characters (female and male) in an American motion picture occurred in A Florida Enchantment, by Sidney Drew.
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