Scruton defines the experience of sound as inherently acousmatic, as Lydia Goehr (1999) paraphrases, "the sound world is not a space into which we can enter; it is a world we treat at a distance".
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In 1955, Jérôme Peignot and Pierre Schaeffer were the first to use the term acousmatique to define the listening experience of musique concrète.
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