The revival of low relief, which was seen as a classical style, begins early in the Renaissance; the Tempio Malatestiano in Rimini, a pioneering classicist building, designed by Leon Battista Alberti around 1450, uses low reliefs by Agostino di Duccio inside and on the external walls.
The monastery is preceded by a 15th-century gate designed by Agostino di Duccio that leads to a monumental facade with three arcades, designed around 1614 by the Perugine architect Valentino Martelli: the first cloister is also by Martelli, with the second floor completed by Lorenzo Petrozzi.
Duccio Tessari | Agostino Ramelli | Agostino Nifo | Agostino Gemelli | Agostino Bassi | Gigi D'Agostino | Jon D'Agostino | Duccio | Agostino di Duccio | Maestà (Duccio) | Agostino Gemelli University Polyclinic | Agostino Chigi | Agostino Barbarigo | Theresa D'Agostino | Roberto D'Agostino | Politicians of The Wire#Theresa D'Agostino | Peter D'Agostino | Kenny Agostino | Gaetano D'Agostino | Engraving 'after Agostino Brunias' (ca 1801) entitled ''A Negro Festival drawn from Nature in the Island of St Vincent''. National Maritime Museum | Ángel D'Agostino | Albert S. D'Agostino | Agostino von Hassell | Agostino Veracini | Agostino Straulino | Agostino Scilla | Agostino Casaroli | Agostino Busti | Agostino Brunias | Agostino Agresta |
The cathedral also contains two bas-reliefs credited to Agostino di Duccio: Tobias and the Angel and the Victory of Saint Michael over the Dragon.