Aleksandr Solzhenitsyn | Aleksandr Aleksandrovich Stackelberg | Alexander Blok | Aleksandr Danilovich Menshikov | Aleksandr Usov | Imperator Aleksandr II-class battleship | ''Imperator Aleksandr II''-class | Aleksandr Rodzyanko | Aleksandr Panayotov | Aleksandr Loktionov | Vlaams Blok | Aleksandr Viktorovich Zakharov | Aleksandr Vasilyev | Aleksandr's Price | Aleksandr Shavlokhov | Aleksandr Myasnikyan | Aleksandr Mikhailovich Orlov | Aleksandr Lyapunov | Aleksandr Ivanovich Laktionov | Aleksandr Derevyagin | Aleksandr Burago | Aleksandr Baranov | Russian battleship Imperator Aleksandr III | Russian battleship ''Imperator Aleksandr III''' | Battleship ''Russian battleship Imperator Aleksandr III | Alexander Blok (pianist) | Aleksandr Zakharov | Aleksandr Yuryevich Gushchin | Aleksandr Yevgenyevich Nechayev | Aleksandr Yakovlevich Chistyakov |
Mezhirov has a "special gift" for absorbing the voices of his contemporaries and his predecessors from the 1900s–1930s, according to Shrayer, who notes the influences in Mezhirov's writing of Eduard Bagritsky, Erich Maria Remarque, Anna Akhmatova, Aleksandr Blok, Vladislav Khodasevich, Mikhail Kuzmin, Vladimir Lugovskoy, David Samoylov and Arseny Tarkovsky.
Among his well-known works are the cycle Holocaust, The End of an Utopia', many nudes, landscapes and still lifes; illustrations to the works of Ivan Franko, Vasyl Stefanyk, Aleksandr Blok, Sholom-Aleichem, Leon Feuchtwanger, Johannes Becher, and many other writers.