X-Nico

unusual facts about American Review



Charles Yu

His fiction has been published in a number of magazines and literary journals, including Oxford American, The Gettysburg Review, Harvard Review, Mid-American Review, Mississippi Review, and Alaska Quarterly Review, and cited for special mention in the Pushcart Prize Anthology XXVIII.

Daniel Merriam

Merriam has produced paintings for the covers of books by Paula Volsky and Neal Barrett Jr. published by Bantam Books, as well as for an international literary journal, Mid-American Review.

Eulalie

"Eulalie," or "Eulalie - A Song," is a poem by Edgar Allan Poe, first published in the July 1845 issue of The American Review and reprinted shortly thereafter in the August 9, 1845 issue of the Broadway Journal.

Thomas Devin Reilly

James Connolly claims that as the editor of the Protective Union labour rights newspaper for the printers of Boston, Devin Reilly was a pioneer of American labour journalism and that Horace Greeley believed of his series of articles in the American Review on the European situation "that if collected and published as a book, they would create a revolution in Europe".


see also

Anne Abbott

In July 1850, Abbott reviewed Hawthorne's The Scarlet Letter for the North American Review, declaring she liked the preface better than the tale.

Pecan Grove Press

Other notable poets include Vince Gotera, editor of North American Review; Marian Haddad; Edward Byrne, well known for his "One Poet's Notes" blog; Olga Samples Davis; Wendy Barker, winner of two Violet Crown awards from the Texas League of Writers; Gwyn McVay; award-winning poet, essayist and dramatist David Brendan Hopes; Cyra S. Dumitru; Colin Morton, award-winning Canadian poet; Bonnie Lyons; and Joel Peckham.

Seward Collins

In addition to featuring essays by many critics of modernity, The American Review also became the a vehicle for spreading the ideas associated with English Distributism, the supporters of which included G. K. Chesterton and Hilaire Belloc.

The City in the Sea

The poem appeared in the Southern Literary Messenger, The American Review, the Broadway Journal, as well as in the 1850 collection The Poets and Poetry of America.