André Mollet's brother, the younger Claude Mollet, was passed over in favour of André Le Nôtre as chief gardener at the Palace of the Tuileries, in 1649.
It is still within the general Baroque formula established by André Le Nôtre: perfect symmetry, axial layout with radiating gravel walks, parterres with fountains, basins and statues.
It was designed for the patron rather than for the gardener, but it had an influence on the designs of André Le Nôtre, who transformed the manner of Boyceau and of the Mollet dynasty of royal gardeners—Claude Mollet and André Mollet—to create the culminating French Baroque gardens, exemplified at Vaux-le-Vicomte and Versailles.
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Upon his return to Sweden after four years, the Swedish king immediately sent him on a second trip which would last 1677-78 and take him to England and France were prominent architects such as André Le Nôtre and Jean Bérain had a deep impact on Tessin's later decorations and gardens.