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Gächinger Kantorei and Bach-Collegium Stuttgart, conducted by Rilling, completed a first recording worldwide of Bach's cantatas and oratorios, a project of 15 years in collaboration with Hänssler Classic, in 1985 on the occasion of the composer's 300th birthday.
He is noted in particular for singing all of the bass parts in the complete Bach church cantatas cycle for Brilliant Classics, as well as Bach's St Matthew Passion and St John Passion.
Mount Vernon was the home and workplace of Bach in the last years of his life, where he completed his research into the Bach flower remedies.
The sessions have been directed over the past two decades by Richard Marlow (former organist and choirmaster of Trinity College, Cambridge), Sir David Willcocks (former choirmaster of King's College, Cambridge and The Bach Choir, London), Herbert Bock, and most recently by David Hill (of the BBC Singers, the Bach Choir) and James Litton (former director of the American Boychoir).
In Mass settings of the Baroque, Classical and Romantic period the Credo line is usually set for whole choir, such as in the Symbolum Nicenum (Nicene Creed) of Bach's Mass in B minor, where the composer uses plainchant as the theme for a fugue, in the later Masses of Haydn, and the Missa Solemnis of Beethoven.
The Darmstädter Bank für Handel und Industrie (often called Darmstädter Bank) was founded as the Bank für Handel und Industrie by Gustav von Mevissen and Abraham Oppenheim with a capital of 25 million guilders and modelled after the French bank Crédit Mobilier.
Besides his monographs, Freeman has published essays on Italian opera of the seventeenth and eighteenth centuries, eighteenth-century keyboard music, and the music of Wolfgang Amadeus Mozart, Johann Sebastian Bach, the Bach sons, Antonio Vivaldi, and Josquin des Prez.
In his recent work, "The Divan of Rumi & Bach", Davod Azad joins Iranian Traditional music with Bach's famous melodies.
# Lloyd Powell provided discussion and a performance of post-Bach piano music
Farr has recorded a number of baroque composers for the Naxos label, notably Byrd, Philips and d'Anglebert on harpsichord, and a recording of Bach's lute-harpsichord music.
Among Agostini’s Philips recordings there are Bach and Vivaldi’s violin concertos, including the Four Seasons, which was filmed on location in Venice and available also on DVD.
From 1707 to 1708, Bach was the organist of one of Mühlhausen's principal churches, Divi Blasii church (dedicated to St Blaise also called Blaise the Divine), where he composed some of his earliest surviving cantatas.
European engagements include Brag in Purcell's The Fairy-Queen at the Gran Teatro del Liceu Barcelona; Somnos (Semele) and Bartolo (Le nozze di Figaro) with De Vlaamse Opera; and Xuthus in Pam Vir's Ion for the Opéra national du Rhin in Strasbourg.
To prove this thesis Galton collected data showing that genius clusters in what he termed “Notable Family Lines”, such as those of Bernoulli, Cassini, Darwin, Herschel, and Jussieu in science, or Bach in music.
The Emperor of Austria was very impressed by Handel's theme an instructed his Court musician Haydn to create the Kaiserhymne, which became the anthem of the Austrian Empire.
In 1699, Georg Böhm became organist here and, beginning soon after (according to Christoph Wolff) gave Johann Sebastian Bach lessons on this instrument during Bach's student tenure at the Michaeliskirche from 1700 through 1702.
There, through Handel's good offices, he came under the protection of Frederick, Prince of Wales, who ultimately stood sponsor to his eldest son.
Charles Jennens, who created the libretti for both Saul and Messiah, described Imeneo as "the worst of all Handel’s Compositions", but added "yet half the Songs are good".
There are viole d'amore and flutes along with the original scores composed by Torelli, Vivaldi, Bertoni, etc.
The music of Italian composers, such as Corelli, Scarlatti, and Vivaldi, was studied or transcribed by many other composers of the day, most notably Bach.
A feature of his ministry at Clarendon has been the semi-annual Messiah-Sing presentations during Advent and Easter featuring guest soloists accompanied by full orchestra.
Charles Jennens (1700 – 20 November 1773) was an English landowner and patron of the arts, who assembled the text for five of Handel's oratorios: Saul, Israel in Egypt, L'Allegro, il Penseroso ed il Moderato, Messiah, and Belshazzar.
Mr. Ceci made many solo appearances including the Denver Chamber Orchestra, Royal Metropolitan Orchestra of Japan, Shizuoka Symphony Orchestra, Osaka Municipal Band, The Mozart Festival in Whistler, British Columbia, Bach Carmel festival in Carmel-by-the-Sea, California, Colorado Music Festival, Minnesota Orchestra, Esterhazy Orchestra, New Orleans Philharmonic Orchestra and with the Denver Symphony Orchestra as soloist in over thirty major works.
The project is called 21st century Bach, and began showing in sections on BBC Two and BBC Four.
Martin Madan, in a satirical song upon Joah Bates, issued anonymously, and set to music by Samuel Wesley, entitled ‘The Organ laid open, &c.,’ placed him as a player upon an equality with Handel: "Let Handel or Worgan go thresh at the organ".
Throughout his career, Gregory has been a regular concert performer, giving performances in the UK of oratorios and orchestral music, including Bach’s St Matthew Passion, St John Passion, Mass in B Minor, Christmas Oratorio, Elgar’s Apostles, Handel’s Messiah and Britten’s War Requiem.
In March 1970, she was soprano soloist in a performance of Bach's St. John Passion at the Queen Elizabeth Hall.
Banks with locations along the street in the 20th century included Dresdner Bank, Commerzbank, Landesbank der Provinz Ostpreußen, Stadtsparkasse, and Ostbank für Handel und Gewerbe.
The entry requirements of this society resulted in both the famous 1746/1748 Haussmann portrait of Bach and his Canonic Variations on "Vom Himmel hoch da komm' ich her" for organ, BWV 769.
They even expanded it, and in 1986 they performed Handel's Water Music by the Mells River.
On this basis the cantata may date from Bach's time in Arnstadt, where he was organist of St Boniface's church until his move to Mühlhausen in the summer of 1707.
The title Notebook for Anna Magdalena Bach refers to either of two manuscript notebooks that the German Baroque composer Johann Sebastian Bach presented to his second wife, Anna Magdalena.
Partita (also Partia, in German) was originally the name for a single-instrumental piece of music (16th and 17th centuries), but Johann Kuhnau (Thomaskantor till 1722, followed by Bach) and later German composers (notably Johann Sebastian Bach) used it for collections of musical pieces, as a synonym for suite.
The name Paul Procopolis was used to reissue recordings by the pianist Sergio Fiorentino, including the complete Chopin waltzes, extracts from Bach's Well-Tempered Clavier, and works by Liszt.
A few later composers also set Lucchini's libretto, among them Josef Mysliveček, whose opera Farnace of 1767 was perhaps the best written after Vivaldi's setting.
While J.S. Bach in his instrumental and orchestral suites would often place every movement in the same key (see, for example, the solo cello Suites, BWV 1007-1012 or the equally homotonal A minor solo flute partita BWV 1013), in a work like his St Matthew Passion he felt able to 'progress' from an E minor start to an ending in C minor, and his Mass in B minor actually ends in D major.
This includes the Requiem (K626, 1791), Great Mass in C minor (K423, 1783), Coronation Mass (C major) (K317, 1779), several other masses, Vesperae Solennes de Confessore (K339, 1780), Vesperae de Dominica, his arrangement of Handel's Messiah plus two of his three great operas: Don Giovanni (K527, 1787) and Die Zauberflöte (K620, 1791).
), and Handel had apparently written several arias for the part of the young Benjamin in his oratorio Joseph and his Brethren for Champness in 1744, and he may well have sung in the choruses of Messiah as a boy.
In the 18th century, the story of Semele formed the basis for three operas of the same name, the first by John Eccles (1707, to a libretto by William Congreve), another by Marin Marais (1709), and a third by George Frideric Handel (1742).
Handel is the director of the Center for Urban Restoration Ecology (CURE), a joint venture between Rutgers and the Brooklyn Botanic Garden in New York.
During her classical vocal performing years as a flexible soprano, Reeves performances included works by Handel, Bach, Mozart, Puccini, Ottorino Respighi, Charles Ives, Menotti, and Carlisle Floyd.
Baring and her daughter attend Burn’s concert where to their surprise he performs Handel’s Ombra mai fu with the National Youth Orchestra, to wild applause from his fans.
#Chorale Prelude BWV659 Nun komm, der Heiden Heiland (Bach arr. Busoni)
At its seaward end, Traeth Mawr joins "Traeth Bach" ("little sands"), the estuary of the Afon Dwyryd.
#"Beware Of The Boys (Mundian To Bach Ke) (Aaron LaCrate & Debonair Samir B-More Gutter Alternate Version)" - Panjabi MC
Mr. Aller made a piano arrangement for the left hand of the Chaconne from J. S Bach's Violin Partita in D minor, and, according to a press release, he spent 200 hours training actor Victor Francen in proper technique.
Vivaldi’s Cello is a 2004 album of various arrangements taken from Antonio Vivaldi's operas and oratorios performed by Yo-Yo Ma and the Amsterdam Baroque Orchestra, Ton Koopman, conductor.
Recordings include Bach's complete motets, the Magnificats of both J.S. Bach and C.P.E Bach, and the first American recording of the F Major and G minor Masses, and three solo soprano cantatas featuring opera superstar Elizabeth Futral.
The Bach Choir of Bethlehem with Ifor Jones, conductor; Phyllis Curtin, soprano; Eunice Alberts, contralto; John McCollum, tenor; Mack Harrell, bass; Vernon De Tar, organ; The Philadelphia Orchestra.