She initially took monochrome portraits but in 1907 she discovered the Autochrome colour process developed by the Lumière brothers.
The year 1895 was the year of the first film screenings by Auguste and Louis Lumière.
During a trip to Paris, France, he witnessed Auguste and Louis Lumière's first public motion picture exhibition at the Caf-Les Capucinos. Upon his return to Puerto Rico he found a job as a movie projectionist at the Teatro Habana in his hometown.
Miletić participated in an amateur film competition in Paris in 1933 with his Poslovi konzula Dorgena and received an award from Louis Lumière.
The film, "is an English remake," of Auguste and Louis Lumière's L'Arroseur Arrosé (1895), according to Michael Brooke of BFI Screenonline, "providing a good illustration of how early film production companies cheerfully plagiarised each other's work," with, "a few minor differences between, most notably a rather greater sense of space and depth in the Bamforth version," and "three distinct planes to the action."
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"Following a very contemporary trend, an expression of the point of view of one art on another, which resumes here in an independant vision the wonder of new discovery", a portrait of the Lumière brothers : Lumière ou Projection privée (Light or Private projection), is exhibited in l'Eden Théâtre de La Ciotat.
In 1896 he acquired with his father, Eduardo Jimeno Peromarta, a Lumière camera in Lyon, which he later used to film the Fiestas del Pilar that same year.
La Ciotat was the setting of one the very first projected motion pictures, L'Arrivée d'un train en gare de La Ciotat filmed by the Lumière brothers in 1895.
Gabriel Veyre, born in Septême in 1871, pharmacist, operator of Lumière cinematograph, filmmaker and photographer of the Sultan of Morocco