Assuming this is correct, he would have grown up amidst the first flowering of the Spanish Renaissance, where such pioneers as Andrés de Nájera were working, under the influence of Gil de Siloé, who had studied in Italy, and Domenico Fancelli, who was from Italy.
•
His stay in Barcelona was not prolonged: in autumn of the same year, he left for Carrara.
•
He traveled to Carrara, with the intent of returning to Barcelona, but upon the death of his wife he started a new studio in Carrara; he worked feverishly there, but he himself died the following year.
Bartolomé Esteban Murillo | García Ordóñez | Ordóñez (bullfighter family) | Bartolomé Mitre | Bartolomé de las Casas | Miguel Ángel Fernández Ordóñez | Carmen Ordóñez | Antonio Ordóñez | Ordóñez guns | Lucas Ordóñez | Juan Francisco Ordóñez | José Batlle y Ordóñez, Uruguay | Francisco Rivera Ordóñez | Estadio David Ordoñez Bardales | Colegio San Bartolomé la Merced | Cayetano Rivera Ordóñez | Cayetano Ordóñez | Bartolomé Ordóñez | Bartolomé González y Serrano | Bartolomé Ferrelo | Bartolomé de Medina | Bartolomé Bermejo |
The tomb of the Catholic Monarchs was the work of Italian sculptor Domenico Fancelli; the tomb of Joanna of Castile and Philip I of Castile the work of Bartolomé Ordóñez; the great altarpiece was by Felipe Bigarny and pieces such as the Incarnation and the Entombment of Christ-now in the Museum-by Jacopo Torni of Florence.