Filippo attends a ball at the Castle Binasco in Italy, shadowed as usual by the sinister Rizzardo.
Princess Beatrice of York | Beatrice Lillie | Tenda | Beatrice Wood | Beatrice Portinari | Beatrice | Princess Beatrice of the United Kingdom | Beatrice Webb | Beatrice Sparks | Beatrice of Sicily, Latin Empress | Beatrice of Sicily | Patrick and Beatrice Haggerty Museum of Art | Evelyn Beatrice Longman | Chris Beatrice | Beatrice I, Countess of Burgundy | Béatrice Hiéronyme de Lorraine | Beatrice Foods | Beatrice Ensor | Beatrice Cenci | Maria Beatrice of Savoy | Beatrice Willard | Beatrice of Savoy | Beatrice of Falkenburg | Beatrice, Nebraska | Beatrice et Benedict | Béatrice Ephrussi de Rothschild | Beatrice di Tenda | Beatrice d'Este | Beatrice de Montfort, Countess of Montfort-l'Amaury | Beatrice, Countess of Montfort |
Bellini - Beatrice di Tenda - Mariana Nicolesco, Stefania Toczyska, Vincenzo La Scola, Piero Cappuccilli, Prague Phiarmonic Choir, Monte Carlo Orchestra (Sony, 1986)
In 1838 she sang the title roles in Donizetti's Maria di Rudenz, Bellini's Beatrice di Tenda, and Carlo Coccia's Caterina di Guisa at the Imperial Regio Teatro degli Avvalorati in Livorno.
an oil canvas, depicting Filippo Maria Visconti con Beatrice di Tenda (exhibited in 1870 at Parma); La vigilia del Natale(exhibited in 1872 at Milan); Il cuoco mal pratico, L' Ammaliatrice, and Il vino del padrone (exhibited in 1880 at Turin); Cuoco mal pratico, Passatempo istruttivo, and Momento di buon umore (exhibited in 1881 at Milan); Momento opportuno (exhibited in 1883 at Milan); Il Babau and Prete artista (exhibited in 1886 at Milan).
She sang several more roles in Bologna in 1838-1839, including the title roles in Anna Bolena, Beatrice di Tenda, and Lucia di Lammermoor.