In July 1932, she opened her own office at 185 Madison Avenue in New York City with a retainer from Quaker and started designing houseware products for Libbey Glass, Federal Glass, US Glass, Towle Mfg. Co., Maryland Plastics, and Bakelite Corp. Five years later, she traveled throughout Europe to study trends in Scandinavian design and by 1939 found herself at the forefront of modern design in the United States.
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Her early experimentation included celluloid toilet sets and clocks, a chrome-plated toaster with a plastic base, and Bakelite jewelry.
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Kogan was the focus of the 1946 one-woman show at the Philadelphia Art Alliance.
Belle Isle | Regina Belle | Accademia di Belle Arti | Memphis Belle | Memphis Belle (film) | La Belle et la Bête | Canton of Marseille-La Belle-de-Mai | Belle Isle Park | Belle Île | Belle Glade | Belle | Rick Kogan | Belle of Louisville | Belle Mead, New Jersey | Belle Isle (Newfoundland and Labrador) | Belle Époque | Strait of Belle Isle | La Belle Noiseuse | Herman Kogan | Belle Vue | Belle Glade, Florida | Belle and Sebastian | Accademia di Belle Arti di Venezia | Accademia di Belle Arti di Roma | Accademia di Belle Arti di Firenze | Vesper Belle | Theo Kogan | The Belle Stars | The Belle's Stratagem | The Belle of New York (musical) |