In the early 90's makes her debut in the Teatro Universitario with the stage play Baal of Bertolt Brecht, directed by Jose Luis Cruz.
She has been working at Nationaltheatret (the National Theatre) since 1970, and acted in roles such as "Polly Peachum" in Bertolt Brecht's The Threepenny Opera, and "Martha" in Edward Albees Who's Afraid of Virginia Woolf?.
In 1998 they devised and, in conjunction with the Random Collective produced seven theatre events in one afternoon in seven different venues around east London in celebration of the Bertolt Brecht centenary.
Dialectical theatre is a label that the German modernist theatre practitioner Bertolt Brecht came to prefer near the end of his career over epic theatre to describe the style of theatre he pioneered .
She studied at Sweden's Theatre Academy (Teaterhögskolan) in Malmö and from 1977-88 was an actress at Sweden's national stage Dramaten where Fröling appeared in plays such as Stiftelsen directed by Alf Sjöberg, as Johanna in Bertolt Brecht's Heliga Johanna från slakthusen (Saint Joan of the Stockyards) and in Ingmar Bergman's classic 1984 staging of Shakespeare's King Lear (as Regan).
While the first production, The Threepenny Opera by Bertolt Brecht and Kurt Weill, received positive critical reviews, only 16 people attended the premiere.
Bishop also played the role of the Sister in Rory Bremner's adaptation of Bertolt Brecht's one act play, A Respectable Wedding at the Young Vic Theatre in April 2007.
Since 1980 he has been a professor in the German department of Hanyang University (Seoul) and he has published translations of 19th century German poems (1980), of poems by Bertolt Brecht (1985), of radio dramas by Günter Eich (1986), and of poems by Günter Eich (1987).
She acted in O'Neill's Skjønne ungdom at Rogaland Teater, played the character "Mrs. Peachum" in an adaptation of Brecht/Kurt Weill's musical The Threepenny Opera at Riksteatret, the character "Aase" in Ibsen's verse drama Peer Gynt, and played in O'Neill's drama Anna Christie.
In February 1980, Crooke gave his stage debut in the play Bal (Richard Nelson's loosely adaption of Bertolt Brecht's play Baal with James Belushi in title role) which was staged at the Goodman Theatre in Chicago.
Michael Sprinker (8 February 1950 in Elgin, Illinois – 12 August 1999) was a literary critic known for his writings on Louis Althusser, Walter Benjamin and Bertolt Brecht, among others, as well as for his editorial work at Verso, Cambridge University Press, the New Left Review and The Minnesota Review.
As Casimir put it, the band took inspiration for its 'self-styled urban Romantic Cabaret' from German writers such as Brecht and Weill, as well as Tom Waits.
Ted recalls having seen Betty act in Brecht's Die Heilige Johanna der Schlachthöfe (he refers to the play by its original German title).
She has also played the role of Bertolt Brecht in Gordon’s Uncivil Wars: moving w/Brecht & Eisler.
He has also translated for theater production the plays of Nick Joaquin, Bertolt Brecht, Euripedes and Maxim Gorki.
He was the artistic director of the Royal Court Theatre between 1965 and 1972, where he directed premieres of plays by writers including David Hare, John Arden, Edward Bond and Arnold Wesker, as well as introducing many of Bertolt Brecht's works to British audiences.
The Mother (Brecht play) | Brecht's | Antigone (Brecht play) | Brecht Wallis | Bertolt Flick | Bertolt Brecht's |
Dossor has directed theatre and television plays by contemporary playwrights like Chris Bond, Stephen Lowe, John McGrath, Adrian Mitchell and Willy Russell, Mike Stott, C.P.Taylor and Charles Wood; as well as classic plays by Bertolt Brecht and Shakespeare.
He made sketches for sets and costumes for various plays such as Brecht's The Good Woman from Szechuan and Fear and Misery of the Third Reich, Pushkin's The Queen of Spades, Brandon Thomas's Charley's Aunt and V.Ivanov's Armored Train 14-69.
He published in Istanbul his own translations of poems selected from the work of Louis Aragon (1897-1982), Bertolt Brecht (1898-1956), Attila József (1905-1937), Federico García Lorca (1898-1936), José Martí (1853-1895), Vladimir Mayakovsky (1893-1936), Pablo Neruda (1904-1973), Sándor Petőfi (1823-1849), Alexander Pushkin (1799-1837), Yiannis Ritsos (1909-1990) and others under the title "Ballads of Brotherhood".
"The aim of science is not to open the door to infinite wisdom, but to set a limit to infinite error," Bertolt Brecht wrote in The Life of Galileo.
The film is dedicated to Bertolt Brecht, Goscinny and to the inventor of the Bhavai, Asait Thakore, who was a Brahmin outcast and lived among the lower caste communities.
Yücel also translated the works of Shakespeare, Lorca and Brecht into Turkish and his creative rendering of these authors are classics in their own right in Turkey.
In 1971, he directed in Florence a theatre cooperative playing works by Shakespeare, Mayakovsky, Brecht, Chekhov, and Molière.
Christopher's stage roles include those of the Wolf and Cinderella’s Prince in Into the Woods by Stephen Sondheim, Baal in Baal by Bertolt Brecht, Demetrius in A Midsummer Night's Dream by William Shakespeare, Barnum in the musical Barnum by Cy Coleman, and even that of Elvis.
At the end of the book, Dylan describes with great passion the moment when he listened to the Brecht/Weill song "Pirate Jenny", and the moment when he first heard Robert Johnson’s recordings.
The school's latest head of drama, Matthew Connor-Hemming, has directed five productions, Bertolt Brecht's The Caucasian Chalk Circle and four musicals, Oliver!, Calamity Jane, Les Misérables, and most recently, The Wizard of Oz.
He is also a translator who has written accurate English translations of songs by Jacques Brel, Léo Ferré, Claude Nougaro, Barbara (Monique Serf), Bertolt Brecht and Wannes Van de Velde.
Their story is crossed by others from their circle, Heinrich's brother Thomas Mann, his sister Carla, friends Bertolt Brecht, Alfred Döblin, Joseph Roth and Kurt Tucholsky, and beyond them, the writers Egon Kisch and Else Lasker-Schüler, James Joyce, Franz Kafka, Robert Musil, Virginia Woolf and Nettie Palmer among others.
He was associated with some of the most important European writers and intellectuals, such as Sartre, Brecht, Barthes and Lukács.
Bertolt Brecht has a demagogue trained in political rhetoric by an actor using this speech in The Resistible Rise of Arturo Ui.
Bertolt Brecht set his adaptation of The Recruiting Officer, called Pauken und Trompeten, in America during the Civil War.
In 1950s and 1960s, many critically acclaimed productions were staged, which used international literature including the works of Anton Chekhov, Luigi Pirandello, Henrik Ibsen and Bertolt Brecht.
He translated and published into our language the works by German classic writer Heinrich Heine ("Die Harzreise"), Goethe's lyric poetry "West-Eastern Divan", Gotthold Ephraim Lessing's dramas "Nathan the Wise", "Emilia Galotti" and "Minna von Barnhelm", Friedrich Schiller's "Ballads", Bertolt Brecht's drama "Chalk cross" and Stefan Zweig's Novels.
After turns as a neo-cabaret/slow ballad crooner in previous works (represented by her 1990s works with Hal Willner, Angelo Badalamenti and the interpretation of Brecht/Weill standards), Faithfull was eager to collaborate with contemporary musicians.
The film contains many references to German culture, such as to Goethe's The Sorrows of Young Werther and in the film a vinyl record with the German song about Mack the Knife written by Bertolt Brecht is played.
In theater, he was considered one of the country's best interpreters of Bertolt Brecht's plays in The Threepenny Opera and St Joan of the Stockyards.
She started her artistic career in 1960 as a theatrical actress of Bertolt Brecht works, under the direction of Giorgio Strehler in his Piccolo Teatro of Milan.
In the following years he performed in stageplays of Bertolt Brecht, Friedrich Schiller, Arthur Miller and Tennessee Williams in all Europe.
In 2003, Sadie co-wrote with Robin Walden (aka Deepcutt) the score for a musical theatrical version of Bertolt Brecht's Good Woman Of Szechuan at Théâtre Vidy, Lucerne & Théâtre de Chaillot, starring Irina Brook and Romane Bohringer.
# "Ballad of Immoral Earnings" ("Zuhälter Ballade", also translated as "Tango Ballad" or "Pimp's Ballad"; Bertolt Brecht, Kurt Weill)
The Flight across the Ocean (Der Ozeanflug) is a Lehrstück by the German dramatist Bertolt Brecht, inspired by We, Charles Lindbergh's 1927 account of his transatlantic flight.
Through her father's theatre, she got to study the works of Anton Chekhov, Bertolt Brecht, Rabindranath Tagore, Tennessee Williams, Oscar Wilde, Badal Sarkar at a very young age.
Besides these compositions, Tsegaye translated Shakespeare (Hamlet and Othello being the most popular of these works), as well as Molière's "Tartouffe" and "Doctor Despite Himself", as well as Bertolt Brecht's "Mother Courage".
Ubiquity follows the British tradition of 'Theatre in Education' and 'Community Theatre', and draws influence from Bertolt Brecht, Keith Johnstone, Geese Theatre Company and Augusto Boal in its ideals of using theatre for social gain.
In July 2012 the band recorded and released their third single, a cover of the 1927 "Alabama Song (whisky bar)" by Bertolt Brecht and Kurt Weill.
Between 1945 and 1947 he worked as a screenwriter and director at Radio Zagreb (present-day Croatian Radio) and as a director at the Zagreb student theatre, where he directed a local production of Señora Carrar's Rifles in 1947, the first-ever work by Bertolt Brecht staged in Yugoslavia).
Will Holt (born April 30, 1929 in Portland, Maine) is an American singer, songwriter, librettist and lyricist known first and primarily as a folk performer during the 1950s and 1960s and as an interpreter of the music of Kurt Weill and Bertolt Brecht in performances and recordings with Martha Schlamme.