By the 1970s he had a series of portraits including Billie Whitelaw.
After the release of Mr. Arkadin in 1955, she was stung by the wave of negative reviews of her performance (in which her voice had been dubbed by Billie Whitelaw, to conceal her strong Italian accent), and once she was married to Welles, she acted in only a handful of her husband's projects, and then withdrew from acting altogether.
The series also starred Billie Whitelaw as a prostitute working in 'The Salon Kitty', where German officers were secretly recorded by the SS in the prostitutes' bedrooms.
Starring Peter Coyote, Mel Smith and Billie Whitelaw, the film is adapted from Slayground, the 14th Parker novel (although the main character has been renamed to "Stone" in this adaptation), written by Donald Westlake under the name Richard Stark.
The original artwork depicted comes from an early 1980s advertisement for A.D.S. speakers (the object on the bed is a speaker), however due to legal reasons later pressings were produced with new artwork, a lilac-tinted still of Billie Whitelaw from the film Charlie Bubbles, directed by Albert Finney.
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In Dixon of Dock Green, Dixon is a "bobby" on the beat and a widower (his wife died in an air raid in WWII, according to the "Needle in a haystack" episode") raising an only daughter, Mary (Billie Whitelaw in early episodes, later replaced by Jeanette Hutchinson) in a small mid-terrace house on a busy road.
In the 1950s he starred in a number of films and TV appearances, such as Left Right and Centre, Fair Game, and the Alun Owen-scripted No Trams to Lime Street with Billie Whitelaw.