He is best known for his books on American music - Harry Partch: a biography (Yale University Press, 1998) and Ben Johnston: Maximum Clarity and other writings on music (University of Illinois Press, 2006), both of which were recipients of the Deems Taylor Award from ASCAP.
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He has also written extensively on the American experimental tradition, microtonal music and spectral music, including the work of such figures as James Tenney, Horațiu Rădulescu, Claude Vivier, and Frank Denyer.
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“Changing the metaphor: Ratio models of musical pitch in the work of Harry Partch, Ben Johnston, and James Tenney,” Perspectives of New Music 33, nos. 1 & 2 (Winter–Summer 1995): 458–503.
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