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From 1625, Antoine Vitré used these types to print the Paris Polyglot Bible printed by Antoine Vitré and edited by Guy Michel Le Jay in 1645, which embraces the first printed texts of the Syriac Old Testament edited by Gabriel Sionita, the Book of Ruth by Abraham Ecchellensis, also a Maronite, the Samaritan Pentateuch and a version by Jean Morin (Morinus).
Rabbi David ben Aryeh Leib of Lida (c.1650-1696) wrote works of rabbinic literature, including Sefer Shomer Shabbat and books on the 613 Mitzvot, bris milah, the Shulchan Aruch, the Book of Ruth, and Jewish ethics (Divrei David, 1671).
The album's title is a pun made up of the names of three books that appear sequentially in the Old Testament: Joshua, Judges, and Ruth.
Among the works of Hübner's first period are "The Fisherman" (1828), after Goethe's ballad; "Ruth and Naomi" (1833), in the National Gallery, Berlin; "Christ and the Four Evangelists" (1835); "Job and his Friends" (1838), in the Gallery of Frankfurt; "Consider the Lilies" (1839); and the portrait of Frederick III, in Frankfurt's Römer.
Unlike most Biblical genealogies, Matthew's genealogy mentions several figures not in the direct line of descent, including four women, Tamar, Ruth, Bathsheba, and Rahab.
The story starts with Parker and his Biblically-named wife, Sarah Ruth, on the front porch in of their country house.
The De Rossi Manuscript No. 541, at Parma, was discovered by S. Buber to contain, among other things, midrashim on four of the five "megillot": Canticles, Book of Ruth, Lamentations, and Ecclesiastes; these he published (Berlin, 1894) under the title of "Midrash Zuṭa," to distinguish them from the "Midrash Rabbah."