Influenced by Cerverí de Girona, the chansonnier and its ideology serve as transition in the history of Catalan literature between the dominance of the troubadours and the new developments of Ausiàs March.
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The generic classifications of the Cançoneret follow those of the Doctrina de compondre dictats, possibly of Raimon Vidal, and the "rules" of the Consistori del Gay Saber, codified in the Leys d'amors.