The publication, seen as a contemporary of the Catholic Worker and Orate Fratres, centered around the "social character of the arts" for both artists and art educators.
After leaving the Navy, Jim joined the staff of the Catholic Worker community in Manhattan, working close with the founder, Dorothy Day, and for a time serving as managing editor of the journal she edited, The Catholic Worker.
He stayed to become the managing editor of The Catholic Worker for two years (1976-8), a job that would introduce him to Dorothy Day and consequently would allow him to work with Day for the last five years of her life.
In 1972, Catholic Worker co-founder Dorothy Day bought a bungalow near the beach.
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She was associated with the Catholic Worker Movement, and designed an early masthead of its publication, the Catholic Worker, first used in 1935.