The use of complementary colors was further publicized by the French art critic Charles Blanc in his book Grammaire des arts et du dessin (1867) and later by the American color theorist Ogden Rood in his book Modern Chromatics (1879).
Charles Darwin | Charles Dickens | Charles, Prince of Wales | Ray Charles | Charles II of England | Charles I of England | Charles Lindbergh | Charles de Gaulle | Charles II | Charles | Charles I | Prince Charles | Charles V | Mont Blanc | Charles Scribner's Sons | Charles Aznavour | Charles University in Prague | Charles Stanley | Charles Bukowski | Charles Mingus | Charles Ives | Charles Bronson | Charles Babbage | Charles III of Spain | Charles Cornwallis, 1st Marquess Cornwallis | Charles Baudelaire | Charles Sanders Peirce | Charles River | Charles Manson | Charles Laughton |
Georges Seurat founded the style around 1884 as chromoluminarism, drawing from his understanding of the scientific theories of Michel Eugène Chevreul, Ogden Rood and Charles Blanc, among others.
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Scientists or artists whose theories of light or color had some impact on the development of divisionism include Charles Henry, Charles Blanc, David Pierre Giottino Humbert de Superville, David Sutter, Michel Eugène Chevreul, Ogden Rood and Hermann von Helmholtz.