Charles Darwin | Charles Dickens | Charles, Prince of Wales | Ray Charles | Charles II of England | Charles I of England | Charles Lindbergh | Charles de Gaulle | Charles II | Charles | Charles I | Prince Charles | Charles V | Charles Scribner's Sons | Charles Aznavour | Charles University in Prague | Charles Stanley | Charles Bukowski | Charles Mingus | Charles Ives | Charles Bronson | Charles Babbage | Charles III of Spain | Charles Cornwallis, 1st Marquess Cornwallis | Charles Baudelaire | Charles Sanders Peirce | Charles River | Charles Manson | Charles Laughton | Charles Dutoit |
Passages of Phyllida's fiction are rendered as pastiches of the great Gothic tradition (e.g. Charles Maturin, Ann Radcliffe, Matthew "Monk" Lewis, Clara Reeve, Mary Shelley) the language and conventions of which are at once mocked and relished.
This work described the fascination with supernatural fiction in English literature from the publication of Horace Walpole's The Castle of Otranto in 1764 to Charles Maturin's 'Melmoth the Wanderer' in 1820 on to modern times.