In Sidney Lumet’s Serpico and Dog Day Afternoon characters “behave like windscreen wipers” (p208).
•
The cinema covered in the book ranges from the silent era to the 1970s, and includes the work of D. W. Griffith, Abel Gance, Erich von Stroheim, Charlie Chaplin, Sergei Eisenstein, Luis Buñuel, Howard Hawks, Robert Bresson, Jean-Luc Godard, Sidney Lumet and Robert Altman.
Cinema of India | Cinema of Germany | Cinema of the United Kingdom | Tamil cinema | Cinema of the United States | Cinema of France | cinema | Malayalam cinema | New Line Cinema | Cinema of West Bengal | Cinema of Karnataka | Marathi cinema | Star Cinema | Cinema of Hong Kong | Cinema of Italy | Two Door Cinema Club | Telugu cinema | Cinema of Thailand | Cinema Paradiso | Cinema of the Philippines | Cinema of Austria | Cinema of Argentina | Hindi cinema | Cinema of Brazil | Cinema Novo | Tamil Cinema | Golden Age of Mexican cinema | home cinema | Gujarati cinema | Classical Hollywood cinema |
Nonetheless, decades later, in Cinéma I and Cinema II (1983–1985), the philosopher Gilles Deleuze took Matter and Memory as the basis of his philosophy of film and revisited Bergson's concepts, combining them with the semiotics of Charles Sanders Peirce.
Ian Marshall Fisher's Discovering Lost Musicals Charitable Trust presented a concert staging at Barbican Cinema 1 in May 1992, with Louise Gold as Hippolyta and Jon Glover as Sapiens.
The cinema Boku to Tsuma no 1778 no Monogatari was released in 2011.