Delmar post office: Built during the later years of the Depression, it is the only one of the 13 Colonial Revival-style New York post offices designed by Louis Simon that had no cupola.
The historic district includes a variety of architectural styles, including Greene and Greene, American Craftsman, California Bungalow, Spanish Revival, Prairie Style, American Colonial Revival, Tudor and Mediterranean from the early 1900s.
Public interest in the Colonial Revival style in the early 20th century helped popularize books and atmospheric photographs of Wallace Nutting showing scenes of New England.
From a stylistic standpoint their output is extremely varied including at various times Romanesque Revival buildings, Gothic Revival buildings, Colonial buildings, Modern buildings and even a few buildings in International Style, which was rarely used for Roman Catholic churches.
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Designed by James Stafford, the Georgian Revival style Colonial Revival house was built in 1902.
Architectural styles represented in the Branford Center Historic District include Greek Revival architecture, Queen Anne architecture, and Colonial Revival architecture, Italianate architecture, Federal architecture, Gothic Revival architecture, Second Empire architecture, Colonial architecture, Tudor Revival architecture and Bungalow architecture.
The East Suffolk Elementary School, built as a Rosenwald School, is a one-story, Colonial Revival style, brick school with a central auditorium flanked by classrooms.
It features a low hipped roof crowned by a multi-stage cupola with a Chippendale-inspired balustrade in the Colonial Revival style.
Mt. Cuba Center started as the vision of the late Mr. and Mrs. Lammot du Pont Copeland, who began acquiring land near Wilmington, Delaware in 1935, and completed construction of their Colonial Revival house in 1937.
Their building went further in evoking the historical antecedents of Colonial buildings than most Colonial Revival buildings of the era, with enough neoclassical elements including a cupola styled after those on the buildings of Christopher Wren, that the building's style has been described as "neo-Georgian or neo-Federal".