In the twentieth century, the concerto grosso has been used by composers such as Igor Stravinsky, Ernest Bloch, Ralph Vaughan Williams, Bohuslav Martinů, Malcolm Williamson, Henry Cowell, Alfred Schnittke, William Bolcom, Heitor Villa-Lobos, Andrei Eshpai, Eino Tamberg, Krzysztof Penderecki, Jean Françaix and Philip Glass.
Mato Grosso | Mato Grosso do Sul | Concerto | concerto | Piano Concerto No. 1 (Chopin) | Concerto delle donne | A Lover's Concerto | Piano Concerto No. 1 | Monte Grosso | Fabio Grosso | "Emperor" Concerto | Concerto for Group and Orchestra | Cáceres, Mato Grosso | Warsaw Concerto | Sonny Grosso | Rio Verde de Mato Grosso | Rachmaninoff's Piano Concerto No. 1 | Prokofiev's Piano Concerto No. 3 | Piano Concerto No. 1 (Rachmaninoff) | O'Carolan's Concerto | Mundo Novo, Mato Grosso do Sul | Moto Grosso Feio | Jardim, Mato Grosso do Sul | Haydn's Trumpet Concerto | Giacomo Grosso | Concerto Grosso | Concerto grosso | concerto grosso | concerto delle donne | ''Cello Concerto'' |
Perhaps one of Jenkins's most recognised works is the first movement of the "Palladio" suite, inspired by 16th-century architect Andrea Palladio and in the style of a concerto grosso.
In 1992, the Orchestra's CD "合奏協奏曲第1番(シュニトケ)、カルメン組曲(ビゼー)" (Concerto grosso No.1 by Schnittke and Carmen by Bizet) received Japan Record Academy Award.
Concerto Grosso No. 1 (Bloch) or Concerto Grosso for string orchestra with piano obbligato, a 1925 work by Ernest Bloch
In the 2006-2007 school year, the Chamber Orchestra attended a tour of San Diego, California, playing Handel's Concerto Grosso 1 as well as Paul Hindemith's Acht Stuke.