Jewett co-wrote the song "Round Here," the Himalayans song borrowed by the Counting Crows to become the second hit off their 1993 release August and Everything After.
Einstein’s visit inspired several works, including Mark Burgess’s radio play Einstein in Cromer, Philip Glass’s opera Einstein on the Beach, and a song of the same name by Counting Crows.
The album was released on April 12, 2007 by Tyrannosaurus Records and features pre-Counting Crows era Adam Duritz (vocals), Dave Janusko (guitar and bass), Dan Jewett (lead guitar), Marty Jones (bass) and Chris Roldan (drums).
Shim Sham, Flim Flam is a live recording of Adam Duritz, David Immerglück of Counting Crows and assorted friends.
McKean adapted the cover artwork from The Day I Swapped My Dad for the 1999 Counting Crows album This Desert Life.
Counting Crows | Crows | Crows (manga) | Counting Blue Cars | 19 Kids and Counting | The Crows | Gee (The Crows song) | Crows Zero | A Feast for Crows | Who's Counting? Marilyn Waring on Sex, Lies and Global Economics | Shire of Crows Nest | Listen To The Crows As They Take Flight | God's Counting on Me, God's Counting on You | Fathers and Crows | Crows Zero 2 | Crows, Virginia | Crows Nest | Counting the Beat | Counting Single Transferable Votes#Hare's method | Counting-out game | Counting coup | Counting Bodies Like Sheep to the Rhythm of the War Drums | counting | card counting | Association of Old Crows |
The song has been performed by various other artists, such as Simon and Garfunkel, Sandy Denny, Nick Drake, John Renbourn and Eddi Reader, and later by Bert Jansch, Counting Crows, John Mayer, Colin Meloy, Robin Pecknold, Soulsavers, Jack Steadman, Hidden Highways, Mark Lanegan, and Laura Marling.
The stadium has also held many concerts, including the Beach Boys, the Steve Miller Band, and recently the Round the Bases Tour, which featured Counting Crows, Live (band), and Collective Soul.
Following this success, Dog's Eye View toured with Counting Crows, Del Amitri, and The Wallflowers following the release of Happy Nowhere.
Also in 2009, after many years of rumors as to the possibility of a new CD, Emitt once again entered the recording studios with a new band and all-new material, joined by the co-founder of The Grass Roots and The Merry-Go-Round drummer Joel Larson, co-founder and former bassist for Counting Crows, Matt Malley, and guitarists Jim Rolfe and Dan Mayer.
In 1997, B93 began to transition towards a modern AC format, adding more alternative-leaning artists such as Alanis Morissette, Counting Crows, Gin Blossoms, and The Cranberries to its playlist.
Among the luminaries who appeared on Mountain Stage before they were famous or whose first national-exposure in the US on Mountain Stage are Sarah McLachlan, Norah Jones, Crash Test Dummies, Barenaked Ladies, Ben Harper, Paula Cole, Nickel Creek, Cassandra Wilson, Counting Crows, Phish and R.E.M., which is the band that gave Mountain Stage its first national exposure.
They self-released their debut album, On My Way, in 2011 and recorded their second album with producer Brian Deck (Modest Mouse, Iron & Wine, Fruit Bats, Gomez, Counting Crows, etc.
They are notable for bringing together three musicians of Counting Crows: Adam Duritz, who sang backing vocals on "Barbarossa" and several other tracks on Light Music, David Immerglück, who played bass on several tracks of the album, and David Bryson who produced several of their tracks.
In its short history, the venue has already hosted events featuring Kid Rock, Heart, The Pogues, M.I.A, The Hives, Dropkick Murphys, Josh Ritter, Counting Crows, Panic! at the Disco, Adam Lambert, Odd Future, and many more.
The album She Likes the Weather was produced by Jewett from a December 1991 studio recording and their original demo tape, produced by Counting Crows guitarist David Bryson.
The album includes 3 songs produced by Counting Crows' guitarist Dave Bryson, one of which is The Himalayans' original version of "Round Here," which was later re-recorded by the Counting Crows.
The Himalayans song "Round Here" was recorded on Counting Crows' first album (being the opening track), and remains popular at their live performances.