The appeal took place before Saint-Omer's Cour d'assises, composed of three professional judges and nine jurors.
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Yves Bot, general prosecutor of Paris, came to the trial on its last day, without previously notifying the president of the Cour d'assises, Mrs. Mondineu-Hederer; while there, Bot presented his apologies to the defendants on behalf of the legal system—he did this before the verdict was delivered, taking for granted a "not guilty" ruling, for which some magistrates reproached him afterwards.
Cour d'assises | ballets de cour | Michaela Dornonville de la Cour | ''Gaspard de Gueidan playing the musette de cour'', painting by Hyacinthe Rigaud | Cour d'honneur | Cour d'Appel du Québec |
In 2002, the service de sécurité incendie de Montréal was heavily blamed for negligence and incompetence according to the Cour d'Appel du Québec.
He began his career as an Avocat at the Cour d’appel de Paris (Court of Appeal, Paris), during World War II, he was a member of the Underground Management Committee of the movement ‘Résistance’ and member of the National Liberation Movement.
Between 1683 and 1685, he replaced the Jagdschloss his father had built near today's Augustdorf by a series of buildings arranged symmetrically around a Cour d'honneur.