Finally, in December 1987, El Carmen partnered with Héctor Ricardo García, owner of the Crónica newspaper, and his company Estrella Productions S.A., under the new name of Teledos.
Crónica Electrónica or Crónica, an independent media label based in Porto, Portugal
El Sur is owned by El Sur S.A., which manages two dailies in Concepción: El Sur and Crónica.
This goal (defined by Crónica newspaper as El golazo del misterio - The great goal of mystery) allowed Boca to win that match 1-0 and therefore the Xeneizes became new Argentine champions, acclaiming Varela as its new great idol.
Crónica | Toni (left) playing on ''Cronica Cârcotaşilor'' sitcom at Prima TV | ''Crónica General de España'' | Crónica Electrónica |
The Chronica Naierensis or Crónica najerense (originally edited under the title Crónica leonesa) was a late twelfth-century chronicle of universal history composed at the Benedictine monastery of Santa María la Real in Nájera.
The Estoria de España, also known in the 1906 edition of Ramón Menéndez Pidal as the Primera Crónica General, is a history book written on the initiative of Alfonso X of Castile "El Sabio" ("the Wise"), who was actively involved in the editing.
He also was writer of the T.V. Shows "Yo, José Gabriel" and "Crónica Urbana" for the Bogotá Mayorship.
Chronicle of a Latin American Subversive (Crónica de un subversivo latinoamericano) directed by Mauricio Walerstein (1975)
This type of novel was best personified in the 1508 version of João de Lobeira's Amadis de Gaula by Garci Rodríguez de Montalvo, the 1541 Cronica do famoso e muito esforçado cavalleiro Palmeirim d´Inglaterra by Francisco de Moraes, and the 1522 Crónica do Imperador Clarimundo, by João de Barros.
In 1986 his frontline reporting for El Tiempo was published as Crónica de la guerra Carlista. Enero y Febrero de 1876 (Chronicle of the Carlist War: January and February 1876) with a prologue by his grandson, Julio Caro Baroja.
I decided to title it—and subsequent e-mail missives—a crónica, inspired by the somewhat rough-hewn, journalistic, often fantastic first-hand accounts of the so-called New World sent “home” by the early Spanish conquistadores, and refashioned by modern-day counterparts such as the Mexicans Carlos Monsiváis, Elena Poniatowska, Cristina Pacheco, and the Chilean Pedro Lemebel, whose writing I admire.
Tradition is divided over who had the victory, the Chronicle of San Juan de la Peña attributes a rout to the Navarrese and Aragonese at Viana, while the Primera crónica attributes victory to Sancho of Castile.