This participatory performance was titled Cult of the New Eve (or CoNE when abbreviated) and included a "communion" using a random library of the entire genome of the first female donor to the Human Genome Project taken from a blood sample.
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In 1989, the group collaborate with Gran Fury to release Cultural Vaccines, a multimedia event in Tallahassee, Florida, which critiques U.S. policy on HIV.
Past research residents and collaborators at the lab have included Kira O%27Reilly, Orlan and the Critical Art Ensemble.
Museum of Modern Art | Art Deco | Metropolitan Museum of Art | Art Institute of Chicago | Musical ensemble | San Francisco Museum of Modern Art | National Gallery of Art | Honolulu Museum of Art | Whitney Museum of American Art | Los Angeles County Museum of Art | Art Nouveau | Royal College of Art | Walker Art Center | art | Glasgow School of Art | Museum of Contemporary Art | Philadelphia Museum of Art | Smithsonian American Art Museum | Art Students League of New York | musical ensemble | Denver Art Museum | Cleveland Museum of Art | Museum of Contemporary Art, Los Angeles | Art Gallery of New South Wales | Art | Installation art | Gothic art | performance art | Art Garfunkel | Romanesque art |
In Potentially Harmful: The Art of American Censorship, Trobaugh's work was shown alongside Dread Scott, Robert Mapplethorpe, Sue Coe, Lynda Benglis, Andres Serrano, Karen Finley, Alma Lopez, John Jota Leaos, Benita Carr, Anita Steckel, Renee Cox, Gayla Lemke, Marilyn Zimmerman, John Sims, The Critical Art Ensemble, Eric Fischl, Tom Forsythe, Nancy Worthington, David Avalos, Scott Kessler, Louis Hock and Elizabeth Sisco.