Bruce Lacey contributed his radio-controlled robots and a light-sensitive owl.
•
Peter Zinovieff lent part of his studio equipment - visitors could sing or whistle a tune into a microphone and his equipment would improvise a piece of music based on the tune.
•
Edward Ihnatowicz's biomorphic hydraulic ear turned toward sounds and John Billigsey's Albert 1967 turned to face light.
•
Other graphics showed a simulated Mondrian and the iconic decreasing squares spiral that appeared on the exhibition's poster and book.
Serendipity | Serendipity (film) | serendipity | Serendipity (software) | Cybernetic Serendipity |
Lacey contributed to Jasia Reichardt's Cybernetic Serendipity exhibition in 1968 at the Institute of Contemporary Arts, exhibiting a robotic owl and actors: Rosa Bosom and Mate plus a sex-simulator.