The World continued to grow under its executive editor Herbert Bayard Swope, who hired writers such as Frank Sullivan and Deems Taylor.
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At the Met he sang in the world premieres of several operas, including Giacomo Puccini's, La fanciulla del West (1910), Umberto Giordano's Madame Sans-Gêne (1915), Charles Wakefield Cadman's Shanewis (1918), Puccini's Il tabarro (1918), Puccini's Gianni Schicchi (1918), Albert Wolff's, L'oiseau bleu (1919), and Deems Taylor's Peter Ibbetson (1931).
While serving as the former music editor of the Houston Press, John Nova Lomax won an ASCAP Deems Taylor award for music journalism for his profile of troubled former country music superstar Doug Supernaw.
In 1942 he created the role of the Vicar of Etchezar in the world premiere of Deems Taylor's Ramuntcho with Sylvan Levin's Philadelphia Opera Company.
In addition to numerous articles and several dissertations, two books have been published on Fine’s life and music: The Music of Vivian Fine, by the noted musicologist Heidi Von Gunden (Scarecrow Press, 1999), which won the ASCAP-Deems Taylor award in 2000, and Vivian Fine, A Bio-Bibliography, by the poet and composer Judith Cody (Greenwood Press, 2002).