He took the name from the opening passage of Samuel Taylor Coleridge's poem, Kubla Khan, as the stream continues north a considerable distance under moraine and ultimately subglacially beneath Koettlitz Glacier to the Ross Sea.
Stuart, in tribute to his poor fielding ability, also earned the nickname "The Ancient Mariner," a reference to an opening line in the Samuel Taylor Coleridge poem The Rime of the Ancient Mariner.
The title of the book is taken from a line of the poem Kubla Khan by Samuel Taylor Coleridge.
Despite heavy Continental European interest in the improvvisatori, the poets were most enthusiastically admired in England, where they influenced the poets Lord Byron, Percy Shelley, Samuel Taylor Coleridge, John Keats, and Laetitia Landon, among others.
Beyond Shakespeare, his scholarly work also included editing the theatrical papers of Philip Henslowe, work on Samuel Taylor Coleridge's literary criticism.
In 1869 he published Translations from Baudelaire (reissued 1877, 12mo); in 1873 he printed, with notes, Coleridge's forgotten tragedy Osorio, and in 1875 The Lover's Tale (of 1833) and other early uncollected poems of Tennyson (unearthed from albums and periodicals).
The chief spokesman for Romantic philosophy and the 'science of science' or epistemology, was Samuel Taylor Coleridge.
The books also contain many quotes referring to famous pieces of Victorian Literature like Oscar Wilde's The Importance of Being Earnest, and the works of Samuel Taylor Coleridge and Alfred Tennyson.
The title of the album is a phrase found in an 1817 gloss (marginal note) to Samuel Taylor Coleridge's 1798 epic poem The Rime of the Ancient Mariner.
Having already referenced literary heavyweights such as Coleridge in "Welcome to the Pleasuredome" and Thomas in "Rage Hard", for "Warriors of the Wasteland" Holly Johnson turned to T. S. Eliot for inspiration.
Samuel Taylor Coleridge's Ancient Mariner and Strang's own Allegory of Death and The Plowman's Wife, have served him with suitable imaginative subjects.
Masters's business partner Tom Gussel chose the name "Xanadu" for the homes, a reference to Xanadu, the summer capital of Yuan, which is prominently featured in Samuel Taylor Coleridge's famous poem Kubla Khan.
Elizabeth Taylor | Samuel Beckett | Samuel Taylor Coleridge | James Taylor | Taylor Swift | Samuel Johnson | Samuel Pepys | Samuel L. Jackson | Taylor | Billy Taylor | Lord & Taylor | Zachary Taylor | John Taylor | Samuel R. Delany | Samuel Barber | Charles Taylor | Samuel Goldwyn | Samuel | Cecil Taylor | Steve Taylor | Samuel Alito | Coleridge | Rod Taylor | Mick Taylor | Lawrence Taylor | Taylor Dayne | Samuel Butler | Creed Taylor | William Desmond Taylor | Samuel Ramey |
Thomas De Quincey, Recollections of the Lake Poets, beginning this year, a series of essays published in Tait's Edinburgh Magazine on the Lake Poets, including William Wordsworth and Robert Southey ; this year, essays on Samuel Taylor Coleridge were published from September through November, with another in January 1835 (see also Recollections 1839; last essay in the series was published in 1840)
Thomas De Quincey, two essays in the series Recollections of the Lake Poets, in Tait's Edinburgh Magazine on the Lake Poets, a fourth installment on Samuel Taylor Coleridge in January (first installments, which inaugurated the series, in September through November 1834; an essay on William Wordsworth in August (see also Recollections 1839, 1840)
The writer Thomas Mallon noted that many scholars had found plagiarism in Literature (Samuel Taylor Coleridge and Charles Reade being two notable examples) to often be perpetrated like kleptomania, a psychological disease associated with uncontrollable stealing even against the thief's the interests.
The most famous and eloquent encomiums of The Thousand and One Nights - by Coleridge, Thomas de Quincey, Stendhal, Tennyson, Edgar Allan Poe, Newman - are from readers of Galland's translation.
Brockley Coomb by British Romantic poet Samuel Taylor Coleridge, which is subtitled Lines composed while climbing the left ascent of Brockley Coomb, May 1795; and Brockley Coomb by British poet Arthur Hugh Clough.
The book also contains many quotes referring to famous pieces of Victorian literature, for example, Alfred Tennyson's The Palace of Art, Charles Dickens' A Tale of Two Cities, and the works of Samuel Taylor Coleridge.
She wrote a very early account of an ascent of Scafell Pike in 1818 (perhaps predated only by Samuel Taylor Coleridge's of 1802), climbing the mountain in the company of her friend Mary Barker, Miss Barker's maid, and two local people to act as guide and porter.
As well as producing engravings for works by Kafka, Dostoievski and Conrad, she drew illustrations for Alice in Wonderland (Carroll), The Rime of the Ancient Mariner (Coleridge) and Morte d'Arthur (Malory).
In 1930 Coleridge and his wife were approached by Canadian academic Kathleen Coburn for permission to examine the family archive at The Chanter's House for material written by his great-great-great uncle, Samuel Taylor Coleridge.
The "worlds" so examined include not only the Norse world of "The Roaring Trumpet," but those of Edmund Spenser's The Faerie Queene in "The Mathematics of Magic," Ludovico Ariosto's Orlando Furioso (with a brief stop in Samuel Taylor Coleridge's Kubla Khan) in "The Castle of Iron," the Kalevala in "The Wall of Serpents," and finally (at last), Irish mythology in "The Green Magician."
He was canon of Windsor from 1785 to 1798, becoming vicar of Nether Stowey, Somerset in 1790 and proceeding D.D. in 1791; while in Somerset he befriended Thomas Poole, the supporter of Samuel Taylor Coleridge.
James Coleridge (3 December 1759 – 1836) was the older brother of the philosopher-poet Samuel Taylor Coleridge and father of Sir John Taylor Coleridge, future Judge of the King's Bench, and Henry Nelson Coleridge, the editor of Samuel Taylor Coleridge's works.
James Dykes Campbell (2 November 1838, Port Glasgow – 1 June 1895) was a Scottish merchant and writer, best known for editing and writing the life of Samuel Taylor Coleridge.
Religious writer Francis Foster Barham (1808–1871), a member of Greaves' Aesthetic Society, considered him as essentially a superior man to Coleridge, and with much higher spiritual attainments and experience.
He has translated books by Samuel Taylor Coleridge (The Rime of the Ancient Mariner), Constantine P. Cavafy, T. S. Eliot, Manuel Bandeira, Fernando Pessoa (Marinela), Marcel Schwob (La Croisade des enfants), Dolf Verroen (Slaaf kindje slaaf) and various literary works of fifty different languages.
•
He worked with short narrations and also translated books, notably Samuel Taylor Coleridge's The Rime of the Ancient Mariner.
Specifically, Searle explores, and has published works on, philosophers such as Aristotle, Plato, Samuel Taylor Coleridge, Kant, and Charles Sanders Peirce.
A number of his key works are literary-inspired, and much of his music is for strings, notable exceptions being the early wind quintet 'In Xanadu' from 1992 (after Coleridge), 'Porphyria’s Lover' (1999) for flute and piano (after Browning), and the clarinet and piano '...That Which Echoes in Eternity' (after lines from Dante's Divine Comedy).
William Wordsworth, Samuel Taylor Coleridge, Lord Byron, and Percy Shelley all shared the same view of the French Revolution as it being the beginning of a change in the current ways of society and helping to better the lives of the oppressed.
The Royal Literary Fund has given assistance to many distinguished writers over its history, including Samuel Taylor Coleridge, Samuel Rousseau, François-René de Chateaubriand, Thomas Love Peacock, James Hogg, Leigh Hunt, Thomas Hood, Richard Jefferies, Joseph Conrad, D. H. Lawrence, James Joyce, Ivy Compton-Burnett, Richard Ryan (biographer), Regina Maria Roche and Mervyn Peake.
Nab Cottage overlooks the lake and it was once home to Thomas de Quincey and Hartley Coleridge, the son of Samuel Taylor Coleridge.
Morrison originally wrote the song as a poem about William Wordsworth and Samuel Taylor Coleridge making a literary trip to the Lake District in England where they worked together on the poems that were to become their landmark joint venture, Lyrical Ballads.
Doubtless this was fuelled by the Romantic landscape paintings of Turner, Constable and Friedrich and by the works of the Lake District's very own poets, Wordsworth, Coleridge and Southey.
The five stories collected in The Complete Compleat Enchanter explore the worlds of Norse mythology in "The Roaring Trumpet," Edmund Spenser's The Faerie Queene in "The Mathematics of Magic," Ludovico Ariosto's Orlando Furioso (with a brief stop in Samuel Taylor Coleridge's Kubla Khan) in "The Castle of Iron," the Kalevala in "The Wall of Serpents," and Irish mythology in "The Green Magician."
After some months of working for him Waner introduces her to the work of a poet (specifically a book of poems called The Cowardly Morning) whose works are "Coleridge and Blake and Rilke all in one, and more."
Capossela's lyrics are highly original and are often inspired by literary sources such as John Fante, Geoffrey Chaucer, Louis-Ferdinand Céline, Oscar Wilde, Samuel Taylor Coleridge and others.