The typeface was used as a display and caption face by Metropolis magazine, by Canadian graphic designer Bruce Mau in designing the initial ZONE book series, Dutch graphic designer Irma Boom, and has been widely used by Semiotext(e) Books, the MIT Press, and Dia Art Foundation.
Others, including On Kawara, Bridget Riley, Robert Ryman, and Robert Whitman, presented existing work in focused installations that responded to Dia’s mandate and site.
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Its collection of web projects, which is available on its website, at www.diaart.org, includes works by Francis Alÿs, David Claerbout, Diller + Scofidio, Molissa Fenley, Susan Hiller, Glenn Ligon, Komar & Melamid, Feng Mengbo, Lisi Raskin, Allen Ruppersberg, Shimabuku, Gary Simmons, Stephen Vitiello, Ezra Johnson, Rosa Barba, and Barbara Bloom.
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Among the many artists who created site-specific exhibition projects for Dia are Robert Gober, Ann Hamilton, Jenny Holzer, Pierre Huyghe, Robert Irwin, Juan Muñoz, Jorge Pardo, Jessica Stockholder, Diana Thater, and Lawrence Weiner.
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Dia:Beacon, Riggio Galleries in Beacon, New York, is located in a former printing plant built in 1929 by Nabisco.
Until his death, he sat on the Board of Trustees of Dia Art Foundation.
Museum of Modern Art | Art Deco | Metropolitan Museum of Art | National Science Foundation | Art Institute of Chicago | Ford Foundation | Rockefeller Foundation | San Francisco Museum of Modern Art | National Gallery of Art | Honolulu Museum of Art | Whitney Museum of American Art | Los Angeles County Museum of Art | Art Nouveau | Royal College of Art | Walker Art Center | art | Glasgow School of Art | Museum of Contemporary Art | Philadelphia Museum of Art | John Simon Guggenheim Memorial Foundation | Smithsonian American Art Museum | Electronic Frontier Foundation | Bill & Melinda Gates Foundation | Art Students League of New York | Denver Art Museum | Cleveland Museum of Art | Museum of Contemporary Art, Los Angeles | Art Gallery of New South Wales | Art | Installation art |
Beyonsense, the collective's first solo museum presentation in the U.S., features a black-lit reading room as well as a reconstruction of a little-known Dan Flavin work commissioned by the Dia Art Foundation for a Sufi mosque in New York's SoHo in the early 1980s.
From 1979 to 1989, Cooke was a Lecturer in the History of Art Department at University College London, and prior to her move to the United States and appointment as curator at the Dia Art Foundation in 1991, Dr. Cooke established herself during the mid-80s as a writer on contemporary artists of the period, including British sculptors Anish Kapoor and Bill Woodrow, and American artist Allan McCollum.