In some points The Hour is similar to the drama A Dream Play written by August Strindberg in 1901 and The Woman without a Shadow written by Hugo von Hofmannsthal in 1919.
Die Zeit | Die Welt | Die Fledermaus | Funny or Die | Die Hard | Die Walküre | Die Entführung aus dem Serail | Die Flippers | Die Meistersinger von Nürnberg | Die Toten Hosen | Die Krupps | Die Frau ohne Schatten | Get Rich or Die Tryin' | Die Hard 2 | Die Fantastischen Vier | Live Free or Die Hard | Get Rich or Die Tryin' (film) | Die Haut | Die Ärzte | Speak English or Die | Saint-Dié-des-Vosges | Romeo Must Die | John Tucker Must Die | DJ Die | Die tote Stadt | Die schweigsame Frau | Die Presse | Die Hard with a Vengeance | Die Glocke | Die Gartenlaube |
His recordings include Die Meistersinger (with Claire Watson, 1963), Die Frau ohne Schatten (1963), Siegfried (conducted by Herbert von Karajan, 1968–69), Ariadne auf Naxos (conducted by Karl Böhm, 1969) and, from Bayreuth, Parsifal (with Irene Dalis as Kundry, led by Hans Knappertsbusch, 1962) and Lohengrin (with Anja Silja and Astrid Varnay, 1962).
Roles she sang in the studio (such as the Empress in Strauss' Die Frau ohne Schatten) or in concert (such as Leonore in Beethoven's Fidelio, and Fidelia in Giacomo Puccini's Edgar) are not included.
She created the roles of Blanchefleur in Kienzl's opera Der Kuhreigen (1911), Ariadne in Strauss's Ariadne auf Naxos (1912), the Empress in his Die Frau ohne Schatten (1919), and Marie/Marietta in Korngold's Die tote Stadt (1920), which was also the role in which she debuted at the Metropolitan Opera on November 19, 1921.