Dmitri Shostakovich | Dimitri Mitropoulos | Mitropoulos | Dmitri Nabokov | Tasos Mitropoulos | Dmitri Soloviev | Dmitri Kurakin | Dmitri Kitayenko | '''(ru)''' Dmitri Nagiev | Dmitri Zakharovich Protopopov | Dmitri Yaroslavich Ivanov | Dmitri Volkogonov | Dmitri Vasilyevich Nikolayev | Dmitri Vadimovich Golubev | Dmitri Tymoczko | Dmitri Svatkovskiy | Dmitri Sokolov | Dmitri Pavlichenko | Dmitri Orlov | Dmitri Olegovich Sokolov | Dmitri Matsjuk | Dmitri Lvovich Proshin | Dmitri Konstantinovich Sergeyev | Dmitri Kedrin | Dmitri Igorevich Ivanov | Dmitri Hvorostovsky | Dmitri Bulykin | Dmitri Borgmann | Dmitri Bobrov | Dmitri Berlinsky |
Pilati's output is considerable given his few years of compositional maturity, but it includes a Concerto for Orchestra (1932), premiered by Dmitri Mitropoulos at the Venice Biennale in 1938, which shows modal influences of Respighi as well as a Mahlerian ländler in the finale.