This will avoid twisting the wrists out of alignment (ulnar/radial deviation, dorsiflexion) or curling the fingers excessively (antagonistic flexion/extension).
•
In a properly coordinated technique, a relationship exists between the lifting/dropping (flexion/extension) of the fingers, and the rotational movement (pronation/supination) of the forearm.
•
She and William Vennard are the only contemporary music teachers to have their technical approaches withstand the scrutiny of scientific investigation.
Dorothy L. Sayers | Dorothy Parker | Dorothy Gale | Dorothy | Dorothy Loudon | Dorothy Lamour | Dorothy Dandridge | Dorothy Thompson | Dorothy Day | Dorothy Hamill | Dorothy Stratten | Dorothy McGuire | Dorothy Malone | Dorothy Kirsten | Dorothy Fields | Dorothy Chandler Pavilion | A. Alfred Taubman | William Taubman | Dorothy Wordsworth | Dorothy Perkins | Dorothy Hewett | Dorothy Gish | Dorothy Dunnett | Dorothy de Rothschild | Taubman Centers | George Taubman Goldie | Dorothy Woolfolk | Dorothy Stang | Dorothy Sarnoff | Dorothy Revier |
His principal teachers were Enrica Cavallo-Gulli, Harvey Wedeen, Edna Golandsky, Dorothy Taubman, and Rosalyn Tureck.