These works combine stylistic devices from a wide variety of post-war painting, including Ellsworth Kelly, Frank Stella, Jackson Pollock, Andy Warhol, and Ed Ruscha, along with lyrics by Stephen Sondheim, Laura Nyro, and Sylvester, among others, pulling from popular music, Broadway show tunes, the Great American Songbook, Yiddish, and film.
Birdcalls (1972/2008) is an audio artwork that transforms the names of famous male artists into a bird song, parroting names such as Artschwager, Beuys, Ruscha and Warhol, a mockery of conditions of privilege and recognition given to male artists at that time.
Exhibitions include solo- and group exhibitions with artists such as Diane Arbus, Louise Bourgeois, Bruce Conner, William Eggleston, Howard Hodgkin, Robert Irwin, André Kertész, Paul McCarthy, Catherine Opie, David Reed, Ugo Rondinone, Ed Ruscha, Lucas Samaras, Kazuo Shiraga, Shōmei Tōmatsu, Franz West, Terry Winters, Lucas Blalock and Constantin Brâncusi.
Artwork for the album's singles were contributed by a variety of visual artists which include Klaus Voorman, Ed Ruscha, Frank Holmes, and Art Spiegelman.
While in New York, the magazine's focus shifted from Japanese-influenced content to street culture aesthetics and then to a more global arts magazine featuring interviews with recognized artists such as Lou Reed, Richard Prince, James Brown, Francesco Clemente, Roger Corman, Ed Ruscha and Jeff Koons, while continuing to cover up-and-coming artists such as Harmony Korine, Miranda July, Cory Arcangel and Simone Shubuck.
Among the artworks Blyth-Hill worked on are those by Leonardo da Vinci, Rembrandt van Rijn, Auguste Renoir, Mary Cassatt, Henri Matisse, Marcel Duchamp, Larry Bell, Ed Ruscha, David Hockney, Marc Chagall, Robert Motherwell, Pablo Picasso, Alexander Calder, Isami Noguchi, Frank Stella, Craig Kauffman, and Wallace Berman.
Twentysix Gasoline Stations, an artist's book by American pop artist Ed Ruscha