Sammy Cahn | Edmond Halley | Edmond Rostand | Edward L. Cahn | Edmond James de Rothschild | Edmond Adolphe de Rothschild | Julien Cahn | Edmond S. Meany | Edmond Malone | William Edmond Logan | Edmond Warre | Edmond T. Gréville | Edmond, Oklahoma | Edmond Jabès | Edmond Fortier | Edmond Couchot | Robert Edmond Grant | Pierre Edmond Teisserenc de Bort | Neil Edmond | Henri-Edmond Cross | Edmond Stanley | Edmond Safra | Edmond Picard | Edmond Gustave Camus | Edmond | Sir J Cahn's XI | Robert Sidney Cahn | Pierre Edmond Boissier | Matthew Edmond McCoy | Martin Edmond |
She served as a research assistant for Professor Edmond N. Cahn of the New York University Law School from 1952 to 1953, and for Arthur T. Vanderbilt of the New Jersey Supreme Court from 1952 to 1953.
It was directed by Edward L. Cahn who also directed Creature with the Atom Brain (1955), Invasion of the Saucer Men (1957), and The Four Skulls of Jonathan Drake (1959).
In 1964, he served as the Executive Assistant to Robert Sargent Shriver, Jr., focusing his efforts on issues related to poverty and hunger under the newly created Office of Economic Opportunity.
The Terror from Beyond Space is an independently made 1958 black and white science fiction film that was produced by Robert Kent, directed by Edward L. Cahn, and released by United Artists.
Father of the time bank, Edgar S. Cahn identifies two concepts as integral to the development of successful community systems: collective efficacy and specialization.
Following a sabbatical at Johns Hopkins University, Baltimore in 1954, he turned down a professorship at Liverpool on the promise of a professorship in Birmingham that never materialised.
The film was written by Orville H. Hampton and directed by Edward L. Cahn.
The Four Skulls of Jonathan Drake is a 1959 American black-and-white horror film written by Orville H. Hampton and directed by Edward L. Cahn, one of a series of films they made in the late 1950s for producer Robert E. Kent on contract for distribution by United Artists.
The She Creature (also known as The She-Creature) is a 1956 American black-and-white horror film produced by American International Pictures from a script by Lou Rusoff (brother-in-law of AIP executive Samuel Z. Arkoff), produced by Alex Gordon and directed by Edward L. Cahn.