In 1964, he served as the Executive Assistant to Robert Sargent Shriver, Jr., focusing his efforts on issues related to poverty and hunger under the newly created Office of Economic Opportunity.
Father of the time bank, Edgar S. Cahn identifies two concepts as integral to the development of successful community systems: collective efficacy and specialization.
Edgar Allan Poe | Edgar Rice Burroughs | Edgar Degas | Edgar Award | J. Edgar Hoover | Edgar Winter | Sammy Cahn | Edgar | Edgar Wallace | Edgar Lee Masters | Edward L. Cahn | Edgar Sulite | Edgar Buchanan | Frankie Edgar | Edgar Bergen | Theodore Edgar McCarrick | Jim Edgar | Edgar Rentería | Édgar Ramírez | Edgar Dewdney | Edgar Cardoso | Edgar Bronfman, Sr. | Edgar Barrier | Julien Cahn | Edgar Wright | Edgar Schein | Edgar Quinet | Edgar Kennedy | Edgar G. Ulmer | Edgar Ansel Mowrer |
She served as a research assistant for Professor Edmond N. Cahn of the New York University Law School from 1952 to 1953, and for Arthur T. Vanderbilt of the New Jersey Supreme Court from 1952 to 1953.
It was directed by Edward L. Cahn who also directed Creature with the Atom Brain (1955), Invasion of the Saucer Men (1957), and The Four Skulls of Jonathan Drake (1959).
In 1957, he joined DuPont as an industrial engineer in the Kinston, North Carolina plant, moving on to manufacturing and management positions in Wilmington, Delaware, Old Hickory, Tennessee and Camden, South Carolina.
Personalistic idealists Borden Parker Bowne and Edgar S. Brightman and realistic personal theist Saint Thomas Aquinas address a core issue, namely that of dependence upon an infinite personal God.
The Terror from Beyond Space is an independently made 1958 black and white science fiction film that was produced by Robert Kent, directed by Edward L. Cahn, and released by United Artists.
Following a sabbatical at Johns Hopkins University, Baltimore in 1954, he turned down a professorship at Liverpool on the promise of a professorship in Birmingham that never materialised.
The film was written by Orville H. Hampton and directed by Edward L. Cahn.
The Four Skulls of Jonathan Drake is a 1959 American black-and-white horror film written by Orville H. Hampton and directed by Edward L. Cahn, one of a series of films they made in the late 1950s for producer Robert E. Kent on contract for distribution by United Artists.
The She Creature (also known as The She-Creature) is a 1956 American black-and-white horror film produced by American International Pictures from a script by Lou Rusoff (brother-in-law of AIP executive Samuel Z. Arkoff), produced by Alex Gordon and directed by Edward L. Cahn.